Gottfried Keller, the greatest German narrative writer of recent times, was born in a suburb of Zurich on 19th July, 1819. The life of this remarkable man suggests comparisons with novels of development, such as Goethe taught him to write: from the romantic confusion of youthful dilettantism he brought himself, by strict self-discipline, to take his place in everyday social life. Left, together with his mother and sister, in poverty by a hard-working but unsuccessful father, the child dreamed away the first years of his development, and the youth was still a stranger to the world of reality when, with the aid of some friends in his native place, he went as an art-student to Munich. There, after a promising start, he sank into hopeless lethargy, which continued even after his return home. Prudent helpers then took the half painter, half poet, once more in hand, recognizing that his deficiency consisted in imperfect education and knowledge of the world. He went to study at Heidelberg (1848-50), and received an important stimulus from the well-known literary historian Hettner; thence he proceeded to Berlin (1850-55), where Varnhagen von Ense, the admirer of Goethe and husband of the prophetess Rahel, made him welcome. Here the germs of his most important works awoke within him. He had already, at an early age, published poems, which showed the influence of the revolutionary _Tendenzlyrik_; now there appeared the romantic autobiographical novel "Green Henry" (1854-5) which he afterwards recast in very characteristic fashion (1879-80). This was followed in 1856 by the first part of the charming, fantastically instructive tales, "Seldwyla People" (the second part, 1874). In spite of praise from many competent judges, success did not come immediately. Keller once more sat at home a dreamer, although now in intellectual correspondence with the best minds; still, it was a bold resolution when, in 1861, the writer, who had never followed any definite avocation, was chosen by his canton as Staatsschreiber, or Secretary to the Canton, and an important and well remunerated office was entrusted to an untried man. However, he proved a thorough success, and felt the acceptance of the post a deliverance from the occupation of "writing-man" so much despised by the Romantics. He filled this office for seventeen years (till 1878); a period during which his imaginative productivity unavoidably slackened. Then when, with the well merited recognition of the authorities, he had retired into private life, or had begun to prepare for retiral, there appeared, in addition to a noble volume of poems, the collection of stories, "Zurich Tales" (1877), the cycle of stories in novel-form, "The Epigram" (1882), and the novel, "Martin Salander" (1886), which continued the paedagogic purpose of his earlier writings in almost too pronounced a fashion. Meanwhile Keller's reputation had at last been established, a consummation to which the zealous endeavours of writers and critics,