The story of how “Stiggins” was once nearly thrown into Barnes Pool, a
by-water of the Thames, by a riotous troop of boys, has been told in
more than one of the books about Eton; it was a curious coincidence that
he should have almost shared the fate of his reverend predecessor in
_Pickwick_, who was dipped in a horse-trough by the infuriated Mr.
Weller. This incident was, perhaps, the greatest of the many scandals
that occurred at Eton during Dr. Hornby’s headmastership.
It has often struck me as strange that I should owe to such a plain and
unadorned barbarian as “Stiggins” my first introduction to Keats’s
poems: he gave me, as a prize, Moxon’s edition of the works. He also
“sent me up for good” (for Latin verses), an honour of which I was
rather unpleasantly reminded, some twenty or more years afterwards, when
he had retired from Eton to a country parsonage; for in order to raise
funds for a proposed “restoration” of his church, he conceived the idea
of soliciting “for the glory of God,” as he expressed it, a subscription
from every Old Etonian who in bygone days had been “sent up for good” in
his Division. There was a naïve effrontery about this proposal which was
quite characteristic of its author.
The writing of Latin verse, so highly regarded at Eton, was a curious
accomplishment. It was said by Coleridge in his _Table Talk_ that
Etonians acquired the art “by conning Ovid and Tibullus”: my
recollection is that we read Ovid but rarely, and Tibullus not at all.
Some of us certainly became proficient in making Latin verses of a kind;
but our models were the renderings of English poems in such collections
as the _Arundines Cami_ or the _Sabrinæ Corolla_, rather than any Latin
originals; and though we could turn out “longs and shorts” with
facility, and even with neatness, I hardly think our productions would
have passed muster in the Augustan age. Still, the versifier’s art, such
as it was, brought us a certain gratification; and in the summer, when,
as we all felt, the time of the leading cricketers was of inestimable
value to the school, we were glad to turn our skill to good account by
composing for them their weekly copy of verses, and so releasing them,
as it were, from a frivolous for a serious task. On “verse days” members
of the Eleven would often come up into College, where each would find
for himself a poet; and thus valuable time would be saved for practice
at the nets. It was but little we could do in so great a cause, but we
did it with willingness; and I remember the honest pride which I felt
when dictating to the Captain of the Eleven a copy of verses, made up
largely of old tags and stock phrases, which he copied down with much
satisfaction and without the least understanding. His ignorance of the
meaning of what purported to be his own composition would lead to no
trouble; for tutors and division-masters alike were aware that they must
not press a good cricketer too hard. A blue cap covered a multitude of
sins.
Public-domain text, read in full here on John Shaqi.
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