Sex variant women in literature : $b A historical and quantitative surveyFoster, Jeannette H. (Jeannette Howard)
General
Sex variant women in literature : $b A historical and quantitative survey
Foster, Jeannette H. (Jeannette Howard)
Lesbians in literature; Sex in literature; Women in literature
With a much lighter touch Martial in the course of his _Epigrams_
describes unflatteringly two women who on his evidence would modernly be
classed as hermaphrodites. One, Bassa,[42] has gained an irreproachable
reputation by admitting no men to her house as either lovers or
servants, but the initiated know that with her feminine domestic staff
she practices every license. The other, Philaenis, the erotic writer
mentioned earlier, exceeds men in her prowess with women, and also takes
the active part in sodomy with boys.[43] Although Dioscorides has denied
in his epitaph in the _Greek Anthology_[44] that she wrote the “obscene
book” attributed to her, Martial’s repeated references throughout the
_Epigrams_ suggest that enough smoke hung over her in his day to justify
the suspicion of fire. The specific sexual exercise implied by both
Juvenal and Martial is tribadism, and there is mention in Juvenal as
elsewhere of the _olisbos_ employed by women less well equipped for a
male role than Bassa and Philaenis. Both authors purported to describe
actual persons and conditions immediately preceding the Christian era.
A couple of centuries later we find fictional contributions from the
minor Greek authors, Lucian and Alciphron, both of whom claimed to be
writing about a period nearer that of Plato. Though doubtless they had
at hand more literature from the century in question than has been
available since, a glance at historical fiction from medieval romance to
modern novel will remind us that the life pictured is probably much
nearer to that of their own time.
Lucian, in his _Dialogues of Hetaerae_,[45] presents a tale told to her
lover by a flute-girl hired as entertainer by two wealthy lesbians, one
a Corinthian. After the banquet the hostesses persuade Leana to stay and
share their bed, sleeping between them. The Corinthian removes a
feminine wig to display close-cropped hair, and vaunts her ability to
give amatory satisfaction. Physically she is entirely feminine, but she
protests that “in my feelings and passions I am altogether a man.” Leana
admits to have received proof of this, but when pressed for detail by
her lover she says, “Now you want to know too much. It was rather nasty
business. No, by the Goddess! I won’t tell you any more.” She has
already gone far enough, however, to imply tribadism and to hint at
cunnilingus.
Public-domain text, read in full here on John Shaqi.
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