Sex variant women in literature : $b A historical and quantitative surveyFoster, Jeannette H. (Jeannette Howard)
General
Sex variant women in literature : $b A historical and quantitative survey
Foster, Jeannette H. (Jeannette Howard)
Lesbians in literature; Sex in literature; Women in literature
Henry James’s early novel, _The Bostonians_, published in 1885, stands
in sharp contrast. This story ran as a serial in _Century Magazine_.
Before it was finished Richard Watson Gilder, the editor, wrote James
that “he had never published anything so unpopular.” The novel came out
as a book a year later but met with no warmer reception, and was not
subsequently reissued until 1945, being omitted even from the
twenty-nine volume Scribner edition of James’ _Novels and Tales_ in
1923. Philip Rahv in the preface of the 1945 edition of _The Bostonians_
indicates several reasons for its unpopularity, but says that
undoubtedly the “most disquieting” was its keen analysis of “the
emotional economy of the Lesbian woman.”[17]
Because of James’s subtlety his work suffers more than most from
condensation, but as the text of the novel is now readily available, its
nearly four hundred pages can be reduced here to the barest skeleton. In
essence, the plot is the eternal triangle. At its apex is Verena
Tarrant, ultra-feminine, passive and suggestible, whose antecedents bear
witness to James’s interest in recently published theories of heredity.
The rivals for possession of her are Olive Chancellor, Boston
intellectual and feminist spinster a decade her senior, and the latter’s
cousin from Mississippi, a young man who has come out of the Civil War
on the losing side with something of the present day’s critical
pessimism toward modern society. Olive sees in the girl, who has
inherited a spell-binding oratorical gift, a powerful potential ally for
the Woman’s Movement to which she herself is devoted. Subconsciously,
however, her motivation is a love-at-first-sight quite as passionate as
that of her male cousin. Olive manages virtually to adopt Verena and by
degrees to estrange her from her family and her previous suitors.
Olive’s cousin, Basil Ransom, is not so easily disposed of, so she must
finally resort to exacting a promise from the girl that she will not
marry. For several years the two women are wholly absorbed in their
feminist efforts, traveling in Europe where they meet the prominent
leaders of the movement, and studying intensively. Olive’s emphasis is
always upon the wrongs women have suffered at the hands of men.
Public-domain text, read in full here on John Shaqi.
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