Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616Green, Henry
History
Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616
Green, Henry
Emblem books, English -- History; Emblems -- England -- History; Emblems in literature; Shakespeare, William, 1564-1616 -- Sources
And the pressing of clay into a matrix or mould, from which the form is
taken, appears to be of very ancient date. The book of Job xxxviii. 14,
alludes to the practice in the words, “it is turned as clay to the
seal.” Of similar or of higher antiquity is “the work of an engraver in
stone, _like_ the engravings of a signet,” Exodus xxviii. 11. And “the
breastplate of judgment, the Urim and the Thummim,” v. 30, worn “upon
Aaron’s heart,” was probably a similar emblematical ornament to that
which Diodorus Siculus, in his _History_, bk. i. chap. 75, tells us was
put on by the president of the Egyptian courts of justice: “He bore
about his neck a golden chain, at which hung an image, set about, or
composed of precious stones, which was called TRUTH.”[21]
Among instances of emblematical workmanship by the silversmith and his
confabricators of similar crafts, we may name that shield of Achilles
which Homer so graphically describes,[22] “solid and large,” “decorated
with numerous figures of most skilful art;”—or the shields of Hercules
and of Æneas, with which Hesiod, _Eoeæ_, iv. 141–317, and Virgil,
_Æneid_, viii. 615–73, might make us familiar. Or to come to modern
times,—to days our very own,—there is the still more precious, the
matchless shield by Vehm, whereon, in most expressive imagery, are
hammered out the discoveries of Newton, Milton’s noble epics, and
Shakespeare’s dramatic wonders. We may, too, in passing, allude to the
richly-embossed and ornamented cups for which our swift racers and
grey-hounds, and those “dogs of war,” our volunteers, contend; and the
almost imperial pieces of plate, such as the Cæsars never beheld, in
which genius and the highest art combine, by their “cunning work,” to
carve the deeds and enhance the renown of some of our great Indian
administrators and illustrious generals; these all, truly “choice
emblemes,” intimate the extent to which our subject might lead. But I
forbear to pursue it, though scarcely any path offers greater
temptations for wandering abroad amid the marvels of human skill, and
for considering reverently and gladly how men have been “filled with the
spirit of God, in wisdom, and in understanding, and in knowledge, and in
all manner of workmanship.” Exodus xxxi. 3.
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