Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616 — John Shaqi
Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616Green, Henry
History
Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616
Green, Henry
Emblem books, English -- History; Emblems -- England -- History; Emblems in literature; Shakespeare, William, 1564-1616 -- Sources
The following is the 31st figure in the plates which Leemans gives; it
is the pictorial representation to explain “What the Egyptians mean when
they engrave or paint a star.”[28] “Would they signify the God who sets
in order the world, or destiny, or the number five, they paint a star;
God, indeed, because the providence of God, to which the motion of the
stars and of all the world is subject, determines the victory; for it
seems to them that, apart from God, nothing whatever could endure; and
destiny _they signify_, since this also is regulated by stellar
management,—and the number five, because out of the multitude which is
in heaven, five only, by motion originating from themselves, make
perfect the management of the world.”
[Illustration]
Of the three figures which are delineated above, the one to the left
hand symbolizes God, that in the middle destiny, and the third, the
number 5, from five rays being used to indicate a star.
The same subjects are thus represented in Cory’s Horapollo.
[Illustration: _Cory’s Horapollo, 1840._]
Cory’s Horapollo, bk. i. c. 8, p. 15, also illustrates the question,
“How do they indicate the soul?” by the accompanying symbols; of which
I. represents the mummy and the departing soul, II. the hawk found
sitting on the mummy, and III. the external mummy case. The answer to
the question is:—
“Moreover, the HAWK is put for the soul, from the signification of
its name; for among the Egyptians the hawk is called BAIETH: and this
name in decomposition signifies soul and heart; for the word BAI is the
soul, and ETH the heart: and the heart according to the Egyptians is the
shrine of the soul; so that in its composition the name signifies ‘soul
enshrined in heart.’ Whence also the hawk, from its correspondence with
the soul, never drinks water, but blood, by which, also, the soul is
sustained.”
And in a similar way many of the sacred engravings or drawings are
interpreted. A serpent with its tail covered by the rest of its body,
“depicts Eternity;”[29] “to denote an _only begotten_, or _generation_,
or a _father_, or the _world_, or a _man_, they delineate a
SCARABÆUS;”[30] a LION symbolises _intrepidity_,—its FOREPARTS,
_strength_, and its HEAD, _watchfulness_;[31] the STORK denotes _filial
affection_, the CRANE on the watch, a man on guard against his enemies,
and the FEATHER of an Ostrich, _impartial justice_,—for, adds the
author, “this animal, beyond other animals, has the wing feathers equal
on every side.”[32]
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