Shakespeare, William, 1564-1616 -- Stage history; Theater -- England
The "_dumb-show_" is omitted in all the stage-versions, and is not
represented on the stage, but I think the play-scene is imperfectly
realized by leaving it out. The Queen's reply to Hamlet's question,
"Madame, how like you the play?" and the King's inquiry, "Have you heard
the argument? Is there no offence in it?" would have a deeper significance
with it represented; for evidently the poisoning in the "_dumb show_" has
made no impression on the Queen, but a very marked one on the King, and
Hamlet's reply, "poison in jest," assumes quite a different meaning.
Besides, Hamlet's words, "The croaking raven doth bellow for revenge,"
shows that he already has become convinced of the King's guilt before the
appearance of Lucianus--and how, except by means of the "_dumb show_"? I
believe, too, that if it were represented, then the mistake many actors
fall into of making a climax at the lines, "He poisons him in the garden,"
etc., and speaking them to the King, and not to his courtiers, would be
corrected. There seems no justification for Hamlet making a climax of
these lines. It is anticipating the King's exit, which is the last thing
Hamlet would wish for. He tells the court that it shall see "_anon_" how
the murderer will marry the wife of Gonzago, and the King defeats his
nephew's purpose by stopping the play. Hamlet's most dramatic line in this
scene, one at which a point might be legitimately made, is cut out in the
acting-version. Ophelia says, "The King rises." Then Hamlet exclaims,
"What! frighted with _false_ fire!" Also the Queen's remark to her
husband, "How fares my lord?" has been omitted. The words have some value
as evidence of the Queen's ignorance of the King's crime. If she knew of
it the question was unnecessary.
"_Exit Horatio_" is the stage-direction in the acting-edition, after
Hamlet's words, "Come, some music;" but there is no similar
stage-direction in either the second quarto or folio. Later on, in the
acting-edition, comes the direction: "_Enter_ Horatio _with_ Recorders."
In the second quarto it is, "_Enter the Players with recorders_," and in
the folio, "_Enter one with a recorder_." It seems just possible that
Hamlet's lines--
"Ah! ha! come, some music; come, the recorders.
For if the King like not the tragedy,
Why, then, belike he likes it not, perdy"--
Public-domain text, read in full here on John Shaqi.
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