Shakespeare, William, 1564-1616 -- Stage history; Theater -- England
Now, unfortunately, Edmund's speech is omitted from the stage-version, so
that the playgoer who does not know his Shakespeare misses the irony of
the terrible tragedy he is called upon to witness. The poet wishes us to
understand that if a community leaves to the care of the gods man's
responsibility to his fellow-men, instead of taking that responsibility
upon itself, then life will go on to-day--and does go on--just as it did
in the age of Elizabeth. All through the play Shakespeare denies
omnipotence to man's self-made gods. Edmund has good looks, intelligence,
and good intentions (Act I., Scene 2). The community, however, in which he
lives decides that because he is an illegitimate child these gifts shall
not be profitably employed for the good of the State or for the benefit of
the individual who possesses them. Edmund therefore becomes embittered,
and revenges himself upon that community. Goneril, Regan, and Cornwall,
being vicious in mind and self-seeking, make use of Edmund's abilities to
serve their own ends, by which means the catastrophe in the death of
Cordelia and Lear is brought about, together with the deaths of the
plotters. But Kent, Albany, Gloucester, and Edgar believe that all their
misfortunes are brought about by the gods. Well, perhaps they are, if we
admit that by the gods is meant society's instinct for self-preservation,
which compels it to rebel against bad laws and bad conventions.
Unfortunately, however, history shows that a community can live too much
in awe of its self-imposed gods, who overrule natural instinct, and
encourage ignorance and folly, when a nation soon perishes, and is wiped
out of existence.
Public-domain text, read in full here on John Shaqi.
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