Shakespeare's play of the Merchant of Venice: Arranged for Representation at the Princess's Theatre, with Historical and Explanatory Notes by Charles Kean, F.S.A.Shakespeare, William
General
Shakespeare's play of the Merchant of Venice: Arranged for Representation at the Princess's Theatre, with Historical and Explanatory Notes by Charles Kean, F.S.A.
sanctity, that a rich perfume diffused itself through the church at the
moment at which the grave-clothes of the evangelist were disturbed; and
the holy robbery was well nigh betrayed to the eager crowd of
worshippers, who, attracted by the sweet smell, thronged to inspect the
relics, and to ascertain their safety. After examination, they retired,
satisfied that their favourite saint was inviolate; for the slit which
the priests had made in his cerements was behind and out of sight. But
the Venetians still had to protect the embarkation of their prize. For
this purpose, effectually to prevent all chance of search, they placed
the body in a large basket stuffed with herbs and covered with joints of
pork. The porters who bore it were instructed to cry loudly '_Khanzri
Khanzir!_[43] and every true Mussulman whom they met, carefully avoided
the uncleanness with which he was threatened by contact with this
forbidden flesh. Even when once on board, the body was not yet quite
safe; for accident might reveal the contents of the basket; it was
therefore wrapt in one of the sails, and hoisted to a yard-arm of the
main-mast, till the moment of departure. Nor was this precaution
unnecessary; for the unbelievers instituted a strict search for
contraband goods before the vessel sailed. During the voyage, the ship
was in danger from a violent storm; and but for the timely appearance of
the saint, who warned the captain to furl his sails, she would
inevitably have been lost. The joy of the Venetians, on the arrival of
this precious cargo, was manifested by feasting, music, processions, and
prayers. An ancient tradition was called to mind, that St. Mark, in his
travels, had visited Aquileia; and having touched also at the Hundred
Isles, at that time uninhabited, had been informed, in a prophetic
vision, that his bones should one day repose upon their shores. Venice
was solemnly consigned to his protection. The saint himself, or his
lion, was blazoned on her standards and impressed on her coinage; and
the shout of the populace, whether on occasions of sedition or of joy,
and the gathering cry of the armies of the republic in battle was,
henceforward, '_Viva San Marco!'--Sketches of Venetian History_.
(C) This ancient Exchange "where merchants most do congregate," is
situated on the Rialto Island, its name being derived from "_riva alta,"
"high shore_." It is a square in the immediate vicinity of the Rialto
Bridge, and contains the Church of San Jacopo, the first sacred edifice
built in Venice. The original church was erected in the year 421, and
the present building in 1194, and was restored in 1531. This island,
being the largest and most elevated, became the first inhabited, and is,
therefore, the most ancient part of Venice. The Exchange was held under
the arcades, facing the church, and was daily crowded with those
connected with trade and commerce. It is now occupied as a vegetable
market.
Public-domain text, read in full here on John Shaqi.
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