Shakespeare's play of the Merchant of Venice: Arranged for Representation at the Princess's Theatre, with Historical and Explanatory Notes by Charles Kean, F.S.A. — John Shaqi
Shakespeare's play of the Merchant of Venice: Arranged for Representation at the Princess's Theatre, with Historical and Explanatory Notes by Charles Kean, F.S.A.Shakespeare, William
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Shakespeare's play of the Merchant of Venice: Arranged for Representation at the Princess's Theatre, with Historical and Explanatory Notes by Charles Kean, F.S.A.
(D) Vecellio informs us that the Jews of Venice differed in nothing, as
far as regarded dress, from Venetians of the same occupation, with the
exception of a yellow, or orange tawney coloured bonnet, which they were
compelled to wear by order of government.
The women were distinguished from the Christian ladies by Wearing yellow
veils.
Shakespeare is supposed to have taken the name of his Jew from an old
pamphlet, entitled "Caleb Shillocke, his prophesie; or the Jewes
Prediction."
(E)
"He lends out money gratis, and brings down
The rate of usance here with us in Venice."
About the time that Shakespeare lived, Venice had commercial dealings
with all the civilized nations of the world; and Cyprus, Candia, and the
Morea were subject to her government. Merchants from all countries
congregated in Venice, and received every possible encouragement from
the authorities.
The Jews, under the sanction of government, were the money lenders, and
were, consequently, much disliked, as well as feared, by their
mercantile creditors. They indulged in usury to an enormous extent, and
were immensely rich.
ACT II.
SCENE I.--VENICE.(A) EXTERIOR OF SHYLOCK'S HOUSE.
_Enter_ LAUNCELOT GOBBO.
_Lau_. Certainly my conscience will serve me to run from this Jew, my
master: The fiend is at mine elbow, and tempts me; saying to
me,--_Gobbo, Launcelot Gobbo, good Launcelot, or good Gobbo, or good
Launcelot Gobbo, use your legs, take the start, run away_:--My
conscience says,--No: take heed, honest Launcelot; take heed, honest
Gobbo:_ or (as aforesaid) _honest Launcelot Gobbo; do not run: scorn
running with thy heels_. Well the most courageous fiend bids me pack.
_Via_! says the fiend; _Away_! says the fiend, _for the heavens_;[44]
_rouse up a brave mind_, says the fiend, _and run_. Well, my conscience,
hanging about the neck of my heart, says very wisely to me, _my honest
friend, Launcelot, being an honest man's son_, or rather an honest
woman's son;--for, indeed, my father did something smack, something grow
to, he had a kind of taste;--well, my conscience says, _Launcelot, budge
not; budge_, says the fiend; _budge not_, says my conscience.
Conscience, say I, you counsel well; fiend, say I, you counsel well; to
be ruled by my conscience I should stay with the Jew, my master, who
(Heaven bless the mark!) is a kind of devil; and to run away from the
Jew I should be ruled by the fiend, who, saving your reverence, is the
devil himself. Certainly, the Jew is the very devil incarnation; and in
my conscience, my conscience is a kind of hard conscience, to offer to
counsel me to stay with the Jew. The fiend gives the more friendly
counsel: I will run, fiend; my heels are at your commandment, I will
run.
[_As he is going out in haste_
_Enter_ OLD GOBBO, _with a basket_.
_Gob_. Master, young man, you, I pray you; which is the way to master
Jew's?
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