Shakspeare and His Times [Vol. 1 of 2]: Including the Biography of the Poet; criticisms on his genius and writings; a new chronology of his plays; a disquisition on the on the object of his sonnets; and a history of the manners, customs, and amusements, superstitions, poetry, and elegant literature of his ageDrake, Nathan
History
Shakspeare and His Times [Vol. 1 of 2]: Including the Biography of the Poet; criticisms on his genius and writings; a new chronology of his plays; a disquisition on the on the object of his sonnets; and a history of the manners, customs, and amusements, superstitions, poetry, and elegant literature of his age
Drake, Nathan
Dramatists, English -- Early modern, 1500-1700 -- Biography; England -- Civilization -- 16th century; English literature -- Early modern, 1500-1700 -- History and criticism; Shakespeare, William, 1564-1616; Shakespeare, William, 1564-1616 -- Homes and haunts -- England
Such are the very few circumstances which reiterated research has
hitherto gleaned relative to the father of our poet; circumstances
which, as being intimately connected with the history and character
of his son, have acquired an interest of no common nature. Scanty as
they must be pronounced, they lead to the conclusion that he was a
moral and industrious man; that when fortune favoured him, he was not
indolent, but performed the duties of a magistrate with respectability
and effect, and that in the hour of adversity he exerted every nerve to
support with decency a numerous family.
Before we close this chapter, it may be necessary to state, that the
very orthography of the name of Shakspeare has occasioned much dispute.
Of Shakspeare the father, no autograph exists; but the _poet_ has left
us several, and from these, and from the monumental inscriptions of
his family, must the question be decided; the latter, as being of the
least authority, we shall briefly mention, as exhibiting, in Dugdale,
three varieties,—_Shakespeare_; _Shakespere_, and _Shakspeare_. The
former present us with _five_ specimens which, singular as it may
appear, all vary, either in the mode of writing, or mode of spelling.
The first is annexed to a mortgage executed by the poet in 1613, and
appears thus, _W{m} Shakspe{a}_: the second is from a deed of bargain
and sale, relative to the same transaction, and of the same period, and
signed, _William Shaksper̄_: the third, fourth, and fifth are taken from
the _Will_ of Shakspeare executed in March 1616, consisting of three
_briefs_ or sheets, to each of which his name is subscribed. These
signatures, it is remarkable, differ considerably, especially in the
surnames; for in the first brief we find _William Shackspere_; in the
second, _Willm Shakspe re_, and in the third, _William Shakspeare_.
It has been supposed, however, that, according to the practice in
Shakspeare's time, the name in the first sheet was written by the
scrivener who drew the will.
In the year 1790, Mr. Malone, from an inspection of the mortgage,
pronounced the genuine orthography to be _Shakspeare_[17:A]; in 1796,
from consulting the deed of sale, he altered his opinion, and declared
that the poet's own mode of spelling his name was, beyond a possibility
of doubt, that of _Shakspere_, though for reasons which he should
assign in a subsequent publication, he should still continue to write
the name _Shakspeare_.[18:A]
To this decision, relative to the genuine orthography, Mr. Chalmers
cannot accede; and for this reason, that, "when the testator subscribed
his name, for the _last time_, he _plainly_ wrote Shakspe_a_re."[18:B]
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