French fiction -- 19th century; Sand, George, 1804-1876
_Le Secrétaire Intime_, _Lavinia_, and some others, also belong to this
period, which was one of constant labor; for the obligation now resting
on George Sand of maintaining her old home and providing for the
education and future of her children was a heavy burden. By the legal
decision of 1836, certain details of the arrangements between Monsieur
Dudevant and his wife had been left to private settlement, a
circumstance which brought about renewed conflict. The mother was in
constant dread lest her son should be kidnapped; indeed, in the case of
her daughter Solange, this actually appears to have been undertaken
during the mother's stay at Fontainebleau. Another arrangement was
effected, by which all future friction was avoided, and the charge and
education of Maurice, over whom his father had previously held joint
control, was henceforward to rest solely with Madame Sand.
In the winter following, in consequence of the unsatisfactory condition
of Maurice's health, a trip to Majorca was determined on, where it was
hoped that the climate and a few months' change would reinvigorate him.
The family was accompanied by the eminent composer, Chopin, who was
suffering from phthisis. The stay in the island, however, was attended
by the greatest inconveniences. Here George Sand devoted herself to the
education of her children, to the household cooking and cleaning, to the
care of her friend, and, lastly, to her literary labors. But the
discomfort and extortion were such as to render the visit unendurable,
and she left Spain with feelings of thankfulness for her departure, and
with her son's health reëstablished. The literary result of this stay
is _Un Hiver à Majorque_, of whose scenery she says: "It is the
promised land;" but of whose people she writes in the severest terms:
"They are devout, that is to say, fanatical and bigoted, as in the days
of the Inquisition. Friendship, loyalty, honor, exist here only in name.
The wretches! oh, how I detest and despise them!"
Public-domain text, read in full here on John Shaqi.
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