American literature -- History and criticism; English literature -- History and criticism
Under such circumstances story-telling was a necessary resource in
the long winter evenings. My father when a young man had traversed
the wilderness to Canada, and could tell us of his adventures with
Indians and wild beasts, and of his sojourn in the French
villages. My uncle was ready with his record of hunting and
fishing, and, it must be confessed, with stories, which he at
least half-believed, of witchcraft and apparitions. My mother, who
was born in the Indian-haunted region of Somersworth, New
Hampshire, between Dover and Portsmouth, told us of the inroads
of the savages, and the narrow escape of her ancestors.
No doubt this legendary training helped to give more life to Whittier's
ballads and border tales than ordinarily enters into that rather
factitious form of composition; and for a while he made a deliberate
attempt to create out of it a native literature. But the effect was
still deeper, by a kind of contrast, on his poetry of the home. After
several incursions into the world as editor and agitator, he was
compelled by ill health to settle down finally in the Amesbury house,
which he had bought in 1836; and there with little interruption he lived
from his thirty-third to his eighty-fifth year, the year of his death.
In _Snow-Bound_ his memory called up a picture of the old Haverhill
homestead, unsurpassed in its kind for sincerity and picturesqueness; in
poem after poem he celebrated directly or indirectly "the river hemmed
with leaning trees," the hills and ponds, the very roads and bridges of
the land about these sheltered towns. On the one hand, the recollection
of the wilder life through which his parents had come added to the
snugness and intimacy of these peaceful scenes, and, on the other hand,
the encroachment of trade and factories into their midst lent a
poignancy of regret for a grace that was passing away. Mr. Pickard's
little guide-book, to which I have already referred, brings together
happily the innumerable allusions of local interest; there is no spot in
America, not even Concord, where the light of fancy lies so
entrancingly:
A tender glow, exceeding fair,
A dream of day without its glare.
Public-domain text, read in full here on John Shaqi.
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