American literature -- History and criticism; English literature -- History and criticism
For it must be seen that the crudeness of Whittier's education, and the
thorny ways into which he was drawn, marred a large part, but by no
means all, of his work. There are a few poems in his collection of an
admirable craftsmanship in that genre which is none the less
difficult--which I sometimes think is almost more difficult--because it
lies so perilously near the trivial and mean. There are others which
need only a little pruning, perhaps a little heightening here and there,
to approach the same perfection of charm. Especially they have that
harmony of tone which arises from the unspoiled sincerity of the writer
and ends by subduing the reader to a restful sympathy with their mood.
No one can read much in Whittier without feeling that these hills and
valleys about the Merrimac have become one of the inalienable domiciles
of the spirit--a familiar place where the imagination dwells with
untroubled delight. Even the little things, the flowers and birds of the
country, are made to contribute to the sense of homely content. There is
one poem in particular which has always seemed to me significant of
Whittier's manner, and a comparison of it with the famous flower poems
of Wordsworth will show the difference between what I call the poetry
of the hearth and the poetry of intimate nature. It was written to
celebrate a gift of _Pressed Gentian_ that hung at the poet's window,
presenting to wayside travellers only a "grey disk of clouded glass":
They cannot from their outlook see
The perfect grace it hath for me;
For there the flower, whose fringes through
The frosty breath of autumn blew,
Turns from without its face of bloom
To the warm tropic of my room,
As fair as when beside its brook
The hue of bending skies it took.
So from the trodden ways of earth
Seem some sweet souls who veil their worth,
And offer to the careless glance
The clouding grey of circumstance....
There is not a little of self-portraiture in this image of the flower,
and it may be that some who have written of Whittier patronisingly are
like the hasty passer-by--they see only the _grey disk of clouded
glass_.
Public-domain text, read in full here on John Shaqi.
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