American literature -- History and criticism; English literature -- History and criticism
And the emotion that furnishes the loudest note to most poets is subdued
in Whittier to the same gentle tone. To be sure, there is evidence
enough that his heart in youth was touched almost to a Byronic
melancholy, and he himself somewhere remarks that "Few guessed beneath
his aspect grave, What passions strove in chains." But was there not a
remnant of self-deception here? Do not the calmest and wisest of us
like to believe we are calm and wise by virtue of vigorous
self-repression? Wordsworth, we remember, explained the absence of love
from his poetry on the ground that his passions were too violent to
allow any safe expression of them. Possibly they were. Certainly, in
Whittier's verse we have no reflection of those tropic heats, but only
"the Indian summer of the heart." The very title, _Memories_, of his
best-known love poem (based on a real experience, the details of which
have recently been revealed) suggests the mood in which he approaches
this subject. It is not the quest of desire he sings, but the
home-coming after the frustrate search and the dreaming recollection by
the hearth of an ancient loss. In the same way, his ballad _Maud
Muller_, which is supposed to appeal only to the unsophisticated, is
attuned to that shamelessly provincial rhyme,
For of all sad words of tongue or pen,
The saddest are these: "It might have been!"
It is a little so with us all, perhaps, as it was with the judge and the
maiden; only, as we learn the lesson of years, the disillusion is likely
to be mingled strangely with relief, and the sadness to take on a most
comfortable and flattering Quaker drab--as it did with our "hermit of
Amesbury."
If love was a memory, religion was for Whittier a hope and an
ever-present consolation--peculiarly a consolation, because he brought
into it the same thought of home-coming that marks his treatment of
nature and the passions. Partly, this was due to his inherited creed,
which was tolerant enough to soften theological dispute: "Quakerism," he
once wrote to Lucy Larcom, "has no Church of its own--it belongs to the
Church Universal and Invisible." In great part the spirit of his faith
was private to him; it even called for a note of apology to the sterner
of his brethren:
O friends! with whom my feet have trod
The quiet aisles of prayer,
Glad witness to your zeal for God
And love of man I bear.
I trace your lines of argument;
Your logic linked and strong
I weigh as one who dreads dissent,
And fears a doubt as wrong.
But still my human hands are weak
To hold your iron creeds:
Against the words ye bid me speak
My heart within me pleads....
And the inimitably tender conclusion:
And so beside the Silent Sea
I wait the muffled oar;
No harm from Him can come to me,
On ocean or on shore.
I know not where His islands lift
Their fronded palms in air;
I only know I cannot drift
Beyond His love and care.
Public-domain text, read in full here on John Shaqi.
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