American literature -- History and criticism; English literature -- History and criticism
And the integrity of mind displayed in the _Lundis_ is as notable as the
industry. From the beginning Sainte-Beuve had possessed that inquisitive
passion for the truth, without which all other critical gifts are as
brass and tinkling cymbals. Nevertheless, it is evident that he did not
always in his earlier writings find it expedient to express his whole
thought. He was, for example, at one time the recognised herald of the
romantic revolt, and naturally, while writing about Victor Hugo, he did
not feel it necessary to make in public such frank reservations as his
letters to that poet contain. His whole thought is there, perhaps, but
one has to read between the lines to get it. And so it was with the
other men and movements with which he for a while allied himself. With
the _Lundis_ came a change; he was free of all entanglements, and could
make the precise truth his single aim. No doubt a remnant of personal
jealousy toward those who had passed him in the race of popularity
embittered the critical reservations which he felt, but which might
otherwise have been uttered more genially. But quite as often this
seeming rancour was due to the feeling that he had hitherto been
compelled to suppress his full convictions, to a genuine regret for the
corrupt ways into which French literature was deviating. How nearly the
exigencies of a hack writer had touched him is shown by a passage in a
letter to the Oliviers written in 1838. His Swiss friend was debating
whether he should try his fortunes in Paris as a contributor to the
magazines, and had asked for advice. "But where to write? what to
write?" replied Sainte-Beuve; "if one could only choose for himself! You
must wait on opportunity, and in the long run this becomes a transaction
in which conscience may be saved, but every ideal perishes,"--_dans
laquelle la conscience peut toujours être sauve mais où tout idéal
périt._ Just about this time he was thinking seriously of migrating with
the Oliviers to this country. It would be curious to hear what he might
have written from New York to one who contemplated coming there as a
hack writer. As for the loss of ideals, his meaning, if it needs any
elucidation, may be gathered from a well-known passage in one of his
books:
Public-domain text, read in full here on John Shaqi.
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