Russian fiction -- Translations into English; Short stories, Russian -- Translations into English
Their altercation, conducted in Russian, grew loader and louder, and
at last when it reached the shooting stage, lapsed into German, Onkel
using epithets peculiar to Munich, and Brendel those distinctive of
Leipsic. The dispute had to be settled by the Advisory Committee, who
assigned Mitia Spiridonoff to Onkel. From that moment Brendel doubted
Mitia’s talent. But this did not trouble Anton Egoritsch. He was
convinced of his son’s future fame and wealth, and felt grateful to
fortune for sending him such good luck. His whole soul became centred
in rearing up the prospective greatness of the Spiridonoff family. He
wanted to coerce fate. His scant earnings were all spent on Mitia. Of
the two rooms occupied by the family, one was given to Mitia, because
he needed pure air and quiet. The rest were crowded in the other room,
which served as bedroom, nursery, workroom, dining-room, and parlor.
Mitia was well and warmly clad, while the little girls ran around in
anything. Mitia’s food was unlike theirs. He had breakfast, and a
different piece of meat for his dinner, also milk and sweetmeats. Mitia
had a comfortable little bed, a soft coverlet, and clean and whole
linen. Mitia was treated like a well-paying boarder in a poor family.
Anton Egoritsch was so absorbed in his enthusiastic cultivation of the
boy’s talent, and the glory it would bring to the Spiridonoffs that he
often forgot the very existence of the other members of his family.
Mitia on his part was forced to pay for all this attention. Every step
he took was watched, every minute of his time was taken possession of
by his father. The old man entrusted him solely to the Conservatory,
believing that every second spent there brought his son nearer to the
goal. But as soon as Mitia returned from the Conservatory, and had had
his dinner, the old man would fondle him with one hand and with the
other pass him the violin.
“Play a little, dear heart. Mr. Onkel gave you the second movement to
study. Play, darling.”
And Mitia played. The candles were lighted, he rested for half an hour,
drank tea and there! Anton Egoritsch lovingly put his arm around him
again and said:
“Well, Mitenka, won’t you try this twenty-first exercise? What is it
like?--Well? What is the good of wasting time?”
Public-domain text, read in full here on John Shaqi.
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