Russian fiction -- Translations into English; Short stories, Russian -- Translations into English
In and out among all this vicious and terrible throng appeared the
image of that woman who had come for Valia. Many people came and went
in the house of Gregory Aristarchovich, and Valia did not remember
their faces, but this face lived in his memory. It was such an
elongated, thin, yellow face, and smiled with a sly, dissembling smile,
from which two deep lines appeared at the two corners of the mouth. If
this woman took Valia he would die.
“Listen,” Valia once said to his aunt, tearing himself away from his
book for a moment. “Listen,” he repeated with his usual earnestness,
and with a glance that gazed straight into the eyes of the person with
whom he spoke: “I shall call you mama, not auntie. You talk nonsense
when you say that the woman--is mama. You are mama, not she.”
“Why?” asked Nastasia Philippovna, blushing like a young girl who had
just received a compliment. But along with her joy there could also
be heard in her voice the sound of fear for Valia. He had become so
strange of late, and timid; feared to sleep alone, as he used to do,
raved in his sleep and cried.
“But, Valichka, it is true, she is your mother.”
“I really wonder where you get this habit of contradicting!” Valia said
after some musing, imitating the tone of Gregory Aristarchovich.
Nastasia Philippovna laughed, but while preparing for bed that night
she spoke for a considerable time with her husband, who boomed like a
Turkish drum, abused the empty talkers, and frivolous, hair-brained
women, and afterward went with his wife to see Valia.
They gazed long and silently into the face of the sleeping child.
The flame of the candle swayed in the trembling hand of Gregory
Aristarchovich and lent a fantastic, death-like coloring to the face
of the boy, which was as white as the pillows on which it rested. It
seemed as if a pair of stern, black eyes looked at them from the dark
hollows, demanding a reply and threatening them with misfortune and
unknown sorrow, and the lips twitched into a strange, ironic smile as
if upon his helpless child-head lay a vague reflection of those cruel
and mysterious spectre monsters that silently hovered over it.
“Valia!” whispered the frightened Nastasia. The boy sighed deeply but
did not move, as if enchained in the sleep of death.
“Valia! Valia!” the deep, trembling voice of her husband was added to
that of Nastasia Philippovna.
Valia opened his eyes, shaded by thick eyelashes; the light of the
candle made him wink, and he sprang to his knees, pale and frightened.
His uncovered, thin little arms, like a pearl necklace encircled his
auntie’s full, rosy neck, and hiding his little head upon her breast
and screwing up his eyes tight as if fearing that they would open of
themselves, he whispered: “I am afraid, mama, I am afraid! Do not go!”
Public-domain text, read in full here on John Shaqi.
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