Russian fiction -- Translations into English; Short stories, Russian -- Translations into English
“What? Don’t you know?” respectfully asked the trombone player who sat
in front, turning his head. Trombone players are generally of awkward,
timid disposition, and while barytones, tenors, basses, and violinists
revel in dreams of future greatness, the trombonist’s aspirations rise
no higher than the back row of the orchestra. This must account for
the lady pianists’ hardness of heart toward them, not to speak of the
indifference of the lady singers, who are so constantly devoured by the
ardent fire of their ambition.
“It is Spiridonoff, who is full of brilliant promise,” explained the
trombonist. “Onkel says he’ll be a second Paganini, and he hopes to
make his own name famous through the boy.”
“Oh, Spiridonoff! Is that he?”
For the last year all have heard and spoken of Spiridonoff. The boy had
made marvelous progress. Even now he could have played in public and
put many a grown violinist to shame. But Onkel would not allow it. He
guarded his young talent with the utmost care.
“Why is he so pale, poor little fellow?” asked the florid soprano,
whose interest had been aroused by the words of the trombonist.
“Pallor is an attribute of true talent,” stated the baritone. He had a
pale face surmounted by a shock of black hair.
The trombonist, overwhelmed by the remark--he possessed neither pallor
nor talent--again turned his face to the platform.
Among the friends of the performers, in the second row, on the last
chair to the left, sat a man whose eyes were riveted on the boy with
unswerving attention. He was tall and slender. His thin hair was combed
over from the right temple to the left, and stuck down with pomatum
in an evident desire to hide a conspicuous baldness. He must have
been over fifty years of age, as there were many and deep wrinkles
in his forehead, and his cheeks, and around his eyes and chin. His
thin hair too was thickly streaked with gray. The strongly marked
eyebrows expressed determination and obstinacy, yet there was a look
of gentleness in the eyes. At the present moment he was evidently in
an excited, emotional and expectant frame of mind. He wore a long,
old-fashioned, black coat, carefully buttoned up to the chin.
Public-domain text, read in full here on John Shaqi.
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