German fiction -- Translations into English; Short stories, German -- Translations into English
Of publishers’ methods or of authors’ chances he knew nothing.
Röderbauer respected money and cared nothing for fame--and yet--and
yet!--Balzer knew it would be by this book he would gain his wife.
Lizzie loved him; since the curse fell he had been the first warder of
Neideck to win the love of woman; so Lizzie was the woman predestined
to save the castle! How it should come to pass he knew not; he felt
that he was but an instrument; _it was to be_. Meanwhile he could love
in secret and write history in secret, and that was enough!
His appeal to Röderbauer had separated him from his betrothed, and as
he now saw her seldom he had more time to devote to his writing. So
resignation and patience and the strength to endure his disappointment
all came from the castle.
He had written and copied fifty folio sheets when one day the inspector
of schools visited Neideck. Philip had no cause to fear the visit. In
fine weather he had been sending the laziest pupil to the pasture, but
when the weather was bad they all flocked to the school, where they
drank in his teachings, and consequently knew more than the children
of other places. The inspector was an antiquary. After the examination
the two men--the master and his chief--crawled like beetles through
the ruins. The inspector listened as in a dream, while Philip, poorest
of all his teachers, told the story of the stronghold. The inspector’s
interest filled the mystic with ecstasy, and in his excitement he,
Balzer, the most timid of men, found courage to show his manuscript.
With hands trembling, with face flushed, he gave it to the inspector.
_Twenty different conjectures concerning the meaning of the name
“Neideck.” All very plausible._
And the conclusion was that the name did not signify after all: _eck_
(a corner) where _neid_ (envy) dwelt, but a corner to be envied by all
who could not live in it--_Neideck_. The inspector admired Philip’s
handwriting: the conjectural structure was somewhat uncertain; but
on that foundation Balzer had raised an edifice bolder than the
architecture of the double towers. The literary form of the manuscript
was most original, for, although Balzer had never studied literature,
his writing came as the spirit inspired it. Philip’s castle had taught
him how to write.
Public-domain text, read in full here on John Shaqi.
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