French fiction -- Translations into English; Short stories, French -- Translations into English
In a listless attitude, almost unconscious, a young girl was seated at
the end of a bench, quiet as a working woman who waits the price of
her day’s labor. She wore the calico bonnet, and the sad costume of
Saint-Lazare with an air of repose and of well-being, as though the
prison régime were the best thing she had found in all her life. The
guard, who sat beside her, seemed to find her much to his taste, and
they laughed together softly. At the other end of the lobby, wholly
in the shadow, was seated, handcuffs on wrists, the Desgrieux of this
Manon. She had not seen him at first; but as soon as her eyes became
accustomed to the darkness, she perceived him and trembled: “Why,
that’s Pignou--hé! Pignou!”--
The guard silenced her. The prisoners are expressly forbidden to talk
to each other.
“Oh! I beg of you, only one word!” she said, leaning far forward toward
the remotest part of the lobby.
But the soldier remained inflexible. “No--no--it can’t be done--only if
you have some message to give him, tell it to me, I will repeat it to
him.”
Then a dialogue was entered into between this girl and her Pignou, with
the guard as interpreter.
Much moved, without heeding those about her, she began:
“Tell him I have never loved any one but him; that I will never love
another in all my life.”
The guard made a number of steps in the lobby, and redoubling his
gravity as though to take from the proceeding all that was too kindly,
he repeated: “She says she has never loved but you, and that she’ll
never love another.”
I heard a grumbling, a confused stammering which must have been the
response of Pignou, then the guard went back with measured step toward
the bench.
“What did he say?” demanded the child all anxious, and as though
waiting were too long: “Well, tell me what he said now?”
“He said he was very miserable!”--
Then, carried away by her emotion and the custom of the noisy and
communicative streets, she cried out loud:
“Don’t be weary, m’ami--the good days will come again!”
And in this voice, still young, there was something piteous, almost
maternal. Plainly this was the woman of the people with her courage
under affliction and her dog-like devotion.
From the depths of the lobby, a voice replied, the voice of Pignou,
wine-soaked, torn, burned with alcohol:
“Va donc! the good days--I’ll have them at the end of my five years.”
He knew his case well, that one!--
The guards cried: “Chut!--Keep quiet!”--But too late.
* * * * *
A door had opened, and the examining magistrate himself appeared on the
sill.
Public-domain text, read in full here on John Shaqi.
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