French fiction -- Translations into English; Short stories, French -- Translations into English
“I must tell you that instead of struggling against this passion I
yielded to it with eagerness, with delight. It was so pure! Why should
I have blushed for it? It gave me new life; it initiated me into all
the feelings I had wished to experience; it almost made me a woman. I
was proud to feel myself thrill and tremble. The first time my dormant
heart beat aloud was to me a triumph. I learned to pout, to love, to
be faithful and capricious. It was remarked I grew handsomer every
day, that my dark eyes softened, that my smile was more expressive,
that what I said was truer and had more meaning than could have been
expected.
“I have just told you that when I heard the clock strike I trembled
with joy and impatience. Even now I seem to feel the delicious
oppression which used to overwhelm me at the sound of that clock.
Since then, through the vicissitudes of fortune, I have come to find
myself very happy in the possession of a few small rooms in the Marais.
Well, of all my magnificent house, my aristocratic _faubourg_,
and my past splendor I regret only that which could have recalled to
me those days of love and dreams. I have saved from the general ruin a
few pieces of furniture which I look upon with as much emotion as if
the hour for the theatre were about to strike now, and my horses were
pawing at the door. Oh! my child, never love as I loved; it is a storm
which death alone can quell.
“Then I learned to take pleasure in being young, wealthy, and
beautiful. Seated in my coach, my feet buried in furs, I could see
myself reflected in the mirror in front of me. The dress of that time,
which has since been so laughed at, was of extraordinary richness and
splendor. When arranged with taste and modified in its exaggeration,
it endowed a beautiful woman with dignity, with a softness, the grace
of which the portraits of that time could give you no idea. A woman,
clothed in its panoply of feathers, of silks, and flowers, was obliged
to move slowly. I have seen very fair women in white robes with long
trains of watered silk, their hair powdered and dressed with white
plumes, who might without exaggeration have been compared to swans.
Despite all Rousseau has said, those enormous folds of satin, that
profusion of muslin which enveloped a slender little body as down
envelops a dove, made us resemble birds, rather than wasps. Long wings
of lace fell from our arms, and our ribbons, purses, and jewels were
variegated with the most brilliant colors. Balancing ourselves in our
little high-heeled shoes, we seemed to fear to touch the earth and
walked with the disdainful circumspection of a little bird on the edge
of a brook.
Public-domain text, read in full here on John Shaqi.
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