French fiction -- Translations into English; Short stories, French -- Translations into English
Versailles was resplendent with light. From the ground-floor to the
roof there glittered and blazed lustres, chandeliers, gilded furniture,
marbles. With the exception of the Queen’s apartments, the doors were
everywhere thrown open. As the chevalier walked on he was struck with
an astonishment and an admiration better imagined than described, for
the wonder of the spectacle that offered itself to his gaze was not
only the beauty, the sparkle of the display itself, but the absolute
solitude which surrounded him in this enchanted wilderness.
To find one’s self alone in a vast enclosure, be it temple,
cloister, or castle, produces a strange, even a weird feeling. The
monument--whatever it be--seems to weigh upon the solitary individual;
its walls gaze at him; its echoes are listening to him; the noise of
his steps breaks in upon a silence so deep that he is impressed by an
involuntary fear and dares not advance without a feeling akin to awe.
Such were the chevalier’s first impressions, but curiosity soon got the
upper hand and drew him on. The candelabra of the Gallery of Mirrors,
looking into the polished surfaces, saw their flames redoubled in
them. Every one knows what countless thousands of cherubs, nymphs, and
shepherdesses disport themselves on the panelings, flutter about on
the ceilings, and seem to encircle the entire palace as with an immense
garland. Here, vast halls, with canopies of velvet shot with gold and
chairs of state still impressed with the stiff majesty of the “great
King”; there, creased and disordered ottomans, chairs in confusion
around a card-table; a never-ending succession of empty salons, where
all this magnificence shone out the more that it seemed entirely
useless. At intervals were half-concealed doors opening upon corridors
that extended as far as the eye could reach, a thousand staircases, a
thousand passages crossing each other as in a labyrinth; colonnades,
raised platforms built for giants, boudoirs ensconced in corners like
children’s hiding-places, an enormous painting of Vanloo near a mantel
of porphyry; a forgotten patch-box, lying beside a piece of grotesque
Chinese workmanship; here a crushing grandeur, there an effeminate
grace; and everywhere, in the midst of luxury, of prodigality, and of
indolence, a thousand intoxicating odors, strange and diverse, mingle
perfumes of flowers and women, an enervating warmth, the very material
and sensible atmosphere of pleasure itself.
To be in such a place, amid such marvels, at twenty, and to be there
alone, is surely quite sufficient cause for temporary intoxication. The
chevalier advanced at haphazard, as in a dream.
Public-domain text, read in full here on John Shaqi.
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