French fiction -- Translations into English; Short stories, French -- Translations into English
During those tragic days the wretched woman lived with her eyes fixed
on the horrible ex-voto, which grew larger to her vision, became
enormous. The patches of rust looked like red blood. The house was
still as death. Toward evening a step was heard. Monsieur d'Heurteleure
again entered bearing a lamp and a basket. His head had grown white,
he did not now so much as glance at the unhappy being who groveled at
his feet, but he never failed to stare greedily at the key. Then at
last Madame d'Heurteleure understood the desire which gnawed, which was
devouring him--to see his rival in death, to gloat over his vengeance,
to feel of the corruption that had once been flesh and blood, to take
down that key he had hung on the wall in place of the Sign of Pardon,
the ivory emblem of which he had shattered to substitute an iron symbol
of eternal rancor. But alas! vengeance never is satisfied, always she
craves for more; frenzied, insatiable, she feeds on her own vehemence
to the very dregs of memory, until the end of life.
Monsieur d'Heurteleure felt that she guessed his morbid longing and
that added to his torture. The adamant of his pride was streaked
with veins of blood. One night when Madame d'Heurteleure slumbered,
stretched on her bed, she heard her door open softly and saw her
husband on the threshold. He carried a lamp with the flame turned
low, and walked as lightly as a shadow without a sound, as though the
sombre somnambulism of his fixed idea had made of him an imponderable
fantom. He crossed the room, reached up, took down the key and went out
again. There was a dead silence. A fly awakened by the light buzzed
for an instant and then ceased. The door remained on the latch. Madame
d'Heurteleure bounded up. In her bare feet she slipped into the hall.
Her husband was going downstairs; she followed him. At the ground floor
he continued to descend; the stairway plunged into gloom, but she could
hear along the subterranean corridors the steps which preceded her.
They were now in the ancient substructions of the castle. The walls
sweated, the ceilings were vaulted. A last stairway twisted its spiral
into the rock. At its base the light of the vanishing lamp still
glimmered on the slimy pavement. Bending forward, Madame d'Heurteleure
listened. A grating sound reached her and the light disappeared. At the
foot of the stairs she found a circular chamber. An opening in the wall
revealed a shallow bay; she still crept on, until, at the end of the
passage, by feeling her way, she recognized a door very slightly ajar.
She pushed it open. In a sort of square hole, vaulted above and tiled
below, Monsieur d'Heurteleure was seated beside his little lamp. He was
motionless, staring with wide-open eyes. He looked at his wife without
seeing her. A nauseating odor came from the cell, and beyond the shadow
spread over the tiles lay a fleshless hand already greenish in hue.
Public-domain text, read in full here on John Shaqi.
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