French fiction -- Translations into English; Short stories, French -- Translations into English
He lived, astonished, among this group of prisoners, all very young and
negligently clad, who talked in loud voices and carried their heads
in such a solemn way. They used to meet in the cell of the eldest of
them, a fellow of some thirty years, already locked up for a long
time and apparently settled at Sainte-Pélagie: a large cell it was,
papered with colored caricatures, and from whose windows one could see
all Paris--its roofs, its clock-towers, and its domes, and, far off,
the distant line of the hills, blue and vague against the sky. There
were upon the walls several shelves filled with books, and all the
old apparatus of a _salle d’armes_--broken masks, rusty foils,
leather jackets, and gloves that were losing their stuffing. It was
there that the “politicians” dined together, adding to the inevitable
“soup and beef” some fruit, cheese, and half-pints of wine that Jean
François went out to buy in a can--tumultuous repasts, interrupted
by violent disputes, where they sang in chorus at the dessert the
_Carmangole_ and _Ça ira_.[2] They took on, however, an
air of dignity on days when they made place for a newcomer, who was
at first gravely treated as “citizen,” but who was the next day
_tutoyed_,[3] and called by his nickname. They used big words
there--Corporation, Solidarity, and phrases all quite unintelligible to
Jean François, such as this, for example, which he once heard uttered
imperiously by a frightful little hunchback who scribbled on paper all
night long:
“It is settled. The cabinet is to be thus composed: Raymond in the
Department of Education, Martial in the Interior, and I in Foreign
Affairs.”
Having served his time, he wandered again about Paris, under the
surveillance of the police, in the fashion of beetles that cruel
children keep flying at the end of a string. He had become one of
those fugitive and timid beings whom the law, with a sort of coquetry,
arrests and releases, turn and turn about, a little like those platonic
fishermen who, so as not to empty the pond, throw back into the water
the fish just out of the net. Without his suspecting that so much honor
was done to his wretched personality, he had a special docket in the
mysterious archives of _la rue de Jérusalem_,[4] his name and
surnames were written in a large back-hand on the gray paper of the
cover, and the notes and reports, carefully classified, gave him these
graded appellations: “the man named Leturc,” “the prisoner Leturc,” and
at last “the convicted Leturc.”
Public-domain text, read in full here on John Shaqi.
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