French fiction -- Translations into English; Short stories, French -- Translations into English
By and by the schoolmaster tells his pupils of the cruel edict, and
Frantz begins to realize that the worthy master will no longer rule
in his accustomed place. He becomes conscious of neglected work, and
a whole tide of better resolutions surges in his breast. Finally the
master has heard the last class and arising seeks utterance for his
farewells. At first he is able to give his pupils some sound advice,
but at length no words will come, and with such quiverings of lip
as even Daudet tries not to depict, he chokes, swiftly turns to the
blackboard, takes a piece of chalk, and, bearing with all his might,
dashes off his final expression of patriotic protest and personal
sorrow:
VIVE LA FRANCE!
“Then he stood there, with his head resting against the wall, and
without speaking, he motioned to us with his hand:
“'That is all; go.’”
On rereading “The Last Class” for the dozenth time, I find that it
is surrounded with an emotional atmosphere which, textually, the
story does not contain. I think this must be the aura emanating from
the spirit of the story; for a great work of fiction is not only the
product of emotion, but it kindles emotion, because it is a creation,
an entity, a living being. Doubtless the contention could not be
demonstrated that, when properly received, a great work of fictional
art will arouse the same emotions in the reader as were first enkindled
in the breast of its author when the story was born. None the less, I
believe it to be true. What feelings, then, must Daudet have known when
he gave forth this little master-story! It must be these that I myself
feel, for I do not, by analysis, find them all present in the text,
even by suggestion. Happy artist, who can so project the creations of
his soul that they henceforth live and expand and communicate their
messages to multitudes to him unknown! So all great fiction is alive;
so lives the work of Alphonse Daudet.
The emotion in “The Siege of Berlin” is of a different type. It, too,
finds its _motif_ in the Franco-Prussian War; this time in the
Siege of Paris itself.
Public-domain text, read in full here on John Shaqi.
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