It wasn't hardly a square deal, of course, they being brought up on a
steady diet of ghost stories; and I reckon there was a spooky look about
us that sent a frappe wireless up and down those dago spines. But, after
all, it was the banana oil the aluminum paint was mixed with that turned
the trick. Smelled it, haven't you? If there's any perfume fitter for a
lost soul than attar of banana oil, it hasn't been discovered. First
they went bug-eyed. Next they sniffed. At the second sniff one big
duffer, with rings in his ears and a fine assortment of second-hand
pepper-boxes in his sash, digs up a scared yell that would have done
credit to one of these Wuxtre-e-e! Wuxtre-e-e! boys, and then he
skiddoos into the rocks like some one had tied a can to him. That set
'em all off, same's when you light the green cracker at the end of the
bunch. Some yelled, some groaned, and some made no remarks. But they
faded. Inside of two minutes by the clock we had the front yard to
ourselves.
"Curtain!" says I to the Boss. "This is where we do a little
disappearing ourselves, before they get curious and come back."
We hustled into the castle, pried ourselves out of our tin roofing,
chucked our dunnage into old Blue Beak's best carryall, hitched a
couple of auction-house steppers, and lit out on the town trail without
so much as stopping to shake a da-da to old Vincenzo.
I didn't breathe real deep, though, until we'd fetched sight of a little
place where the mountain left off and the dago police were supposed to
begin. Just before we got to the first house we sees something up on a
rock at one side of the road. Day was comin', red and sudden, and we saw
who it was on the rock--the lady brigandess. Sure thing!
Now don't tax me with how she got there. I'd quit trying to keep cases
on her. But there she was waiting for us. As we got in line she glued
her eyes on the Boss and tossed him a lip-thriller with a real
Juliet-Roxane movement. And the Boss blew one back. Well, that suited
me, all right, so far as it went. But as we made for a turn in the road
the Boss reached out for the lines and pulled in our pair of skates.
Then he turns and looks back. So did I. She was still there, for a fact,
and it kind of looked as if she was holding her arms out toward him.
"By God, Shorty," says the Boss, breathing quick and talking through his
teeth, "I'm going back."
"Sure," says I, "to New York," and I had a half-Nelson on him before he
knew it was coming. We went four miles that way, too, the horses
finding the road, before I dared let him up. I looked for trouble then.
But it had been all over in a breath, just an open-and-shut piece of
battiness, same as fellers have when they jump a bridge. He was meek
enough the rest of the way, but sore. I couldn't pry a word out of him
anyway. Not until we got settled down in the smoking-room of a
Mediterranean steamer headed for Sandy Hook did he shake his trance.
Public-domain text, read in full here on John Shaqi.
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