"Shorty," says he, givin' me the friendly palm, "I owe you a lot more
than apologies."
"Well, I ain't no collection agency," says I. "Sponge it off."
"I was looking for the Elixir," says he, "and--and I found it."
"I can get all the 'Lixir I want," says I, "between the East River and
the North, and I don't need no cork-puller, either."
That's me. I've been back a week now, and even the screech of the L
trains sounds good. Everything looks good, and smells good, and feels
good. You don't have to pinch yourself to find out whether or not you're
alive. You know all the time that you're in New York, where there's
somethin' doin' twenty hours in the day.
It'ly! Oh, yes, I want to go there again--when I get to be a mummy.
CHAPTER III
Say, you can't always tell, can you? Here a couple of weeks back I
thought I'd wiped It'ly off the map. We'd settled down in this little
old burg, me and the Boss and Mister 'Ankins, nice and comfortable, and
not too far from Broadway. And we was havin' our four o'clock teas with
the mitts, as reg'lar as if there was money comin' to us for each round,
when this here Sherlock proposition turns up.
Mister 'Ankins, he was the first to spot it, and he comes trottin' in
where we was prancin' around the mat, his jaw loose, and his eyebrows
propped up like Eddie Foy's when he wears his salary face.
"Hit's most hunnacountable, sir," says he.
"Time out!" says I, blockin' the Boss's pet upper cut. "Mister 'Ankins
seems to have something on the place where his mind ought to be."
"Hankins," says the Boss, putting down his guard reluctant, "haven't I
told you never to----"
"Yes, sir; yes, sir," says Mister 'Ankins, "but there's that houtrageous
thing fawst to the door and, Lor' 'elp me, sir, Hi cawnt pull it hoff."
The Boss he looks at me, and I looks at the Boss, and then we both looks
at Mister 'Ankins. Seein' as how he couldn't reveal much with that
cheese pie face of his, we goes and takes a look at the door. It was
the outside one, just as you gets off the elevator.
And there _was_ something there, too; the dizziest kind of a visitin'
card that was ever handed out, I suspicion, in those particular swell
chambers for single gents. It was a cuff, just a plain, every day wrist
chafer, pinned up with the wickedest little blood letter that ever came
off the knife rack. Half an inch of the blade stuck through the panel,
so the one who put it there must have meant that it shouldn't blow away.
The Boss jerks it loose, sizes it up a minute, and says:
"Stiletto, eh? Made in Firenze--that's Florence. Shorty, have you any
friends from abroad that are in the habit of leaving their cutlery
around promiscuous?"
"I know folks as far west as Hoboken, if that's what you mean," says I,
"but there ain't none of them in the meat business."
Well, we takes the thing inside under the bunch light and has another
squint.
"Here's writin' in red ink," says I, and holds up the cuff.
"Read it," says the Boss.
Public-domain text, read in full here on John Shaqi.
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