Siam and Laos, as Seen by Our American Missionaries
History
Siam and Laos, as Seen by Our American Missionaries
Laos -- Description and travel; Missions -- Laos; Missions -- Thailand; Thailand -- Description and travel
The main entrance approaches the wat on the west, crossing by an
immense stone causeway over a deep, wide moat and under a lofty
gateway guarded by colossal stone lions hewn, pedestal and all, from a
single block. The structure rises in three quadrangular tiers, of
thirty feet, one above the other, facing the four points of the
compass, on a cruciform platform. Out of the highest central point
springs a great tower one hundred and eighty feet high, and four
inferior corner-towers rise around. It has been suggested that Mount
Menu, the centre of the Buddhist universe, with its sacred
rock-circles, is symbolized, the three platforms representing earth,
water and wind. Flights of steep stairways, each step a single block
and some having fifty or sixty steps, lead from terrace to terrace.
Long galleries with stone floors, stone roofs, and walls having a
surface smooth as polished marble, covered with elaborately chiseled
bas-reliefs, are flanked by rows of monolithic pillars whose girth and
height rival noble oaks. The centre compartments are walled in, and
the remaining two-thirds of the space consists of open colonnades. The
inner walls of these open galleries have blank windows; seven stone
bars, uniform in size and beautifully carved with the sacred lotus,
form a sort of balcony to each window.
The bas-reliefs have thousands of nearly life-size figures,
representing scenes from the great Indian epic Ramayana――battle-scenes,
processions of warriors, and the struggle of the angels with the
giants for the possession of Phaya Naght, the snake god. The majority
of these are executed with care and skill, and form one of the chief
attractions of the wat. Specimens of the more beautiful, and also
casts of the inscriptions, have been transported to the Cambodian
Museum of Paris, but, unfortunately, M. Mohl, the celebrated
Orientalist entrusted with the task of deciphering these unknown
characters, died before reaching any satisfactory conclusion. Scholars
seem inclined to regard the inscriptions as derived rather from the
Pali or Sanskrit than the Malay or Chinese language.
Public-domain text, read in full here on John Shaqi.
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