Bildungsromans; England -- Social life and customs -- Fiction; Illegitimate children -- Fiction
on the top floor, and Michael fled barefooted down the stairs,
until he reached the cold tiles of the front hall. Should he
dare to descend still lower and disturb Nurse at her supper in
the kitchen? Or were they all lying there, Cook and Annie and
Nurse, with their throats cut? The door leading to the basement
stairs was open, and he stole down over the oilcloth, past the
yawning cellar, past the laundry-basket in the passage, past
the cupboard under the stairs, to listen by the kitchen door.
There was a murmur of voices, familiar yet unfamiliar: the
kitchen door was ajar and he peered round stealthily. There was
Nurse with a very red face in a heap on a chair, shaking her
forefinger at Mrs. Frith, who with an equally red face was
talking very indistinctly to Nurse; while between them, bolt
upright and very pale, sat Annie nervously shaving from the
cheese very thin segments which she ate from the knife’s edge.
They seemed to Michael, as he watched them, like people in a
nightmare, so unreal and horrible were they: they frightened
him more than ever, sitting there nodding at each other in the
kitchen where the blackbeetles ran slyly in and out beneath the
fender. Suddenly Annie saw Michael and waved him back; he
turned at her gesture and withdrew from sight. While he stood
shivering in the dark passage, Annie came out and, picking him
up, carried him out of hearing.
“Whatever made you come downstairs?” she panted on the first-floor
landing.
“I was frightened.”
“You frightened _me_ .”
“Who are they murdering?”
“You’ve been having a bad dream,” said Annie.
She led him upstairs again to his room and tucked him up, and at his
earnest request turned the gas a trifle higher.
“Why did Nanny and Mrs. Frith look like that?” he asked.
“They’re tired,” said Annie.
“Why?”
“They have to work so hard to look after you.”
Then she left him alone, and he fell asleep before they all came up to
bed.
Public-domain text, read in full here on John Shaqi.
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