like to pinch Stella’s legs—they looked so sleek and well-behaved, as she sat there playing the piano. Michael was never invited to play on the drawing-room piano. He was only allowed to play up in the day-nursery, with merely the ambition of one day being able to reach the pedals to stir him on. “Ach, Mrs. Vane,” he heard these long-haired men declare. “Your daughter is wonderful. Ach! Ach! Ach! She is a genius. She will be the great bianist of the new generation. Ach! Ach! Ach!” Michael began to feel that his love for his mother or her love for him did not matter. He began to feel that only what he himself thought and wanted did matter; and when she went away again he was sorry, but not so sorry as he used to be. One of these long-haired men now began to come every day to give Stella lessons on the drawing-room piano. He would give a very loud knock and hang up a wide-brimmed black hat in the hall and clear his throat and button up his coat very tightly and march into the drawing-room to wait for Stella to be brought down. Stella would come down the stairs with her grey eyes shining and her hair all fuzzy and her hands smelling of pink soap, while Nurse would blow very importantly and tell Michael not to peep round corners. Stella’s music lessons were much grander than Michael’s in the stuffy back-room of Miss Marrow’s. Besides, Michael’s music lessons were now particularly unpleasant, because Miss Hunt, his mistress, had grown two warts on her first finger during the summer holidays, which made him feel sick during their eternal duets.