In Seville, however, Maurice admitted he could not imagine a city more perfectly adapted to express all that he desired from life. Seville with her guitars and lemon-trees, her castanets and oranges and fans, her fountains and carnations and flashing Andalusians, was for him the city to which one day he would return and dream. Here one day he could come when seriously he began to write or paint or take up whatever destiny in art was in store for him. Here he would forget whatever blow life might hold in the future. He would send everybody he knew to Seville, notwithstanding Michael’s objection that such generosity would recoil upon himself in his desire to possess somewhere on earth the opportunity of oblivion. Maurice and Wedderburn both bought Spanish cloaks and hats and went with easels to sit beside the Guadalquiver that sun-stained to the hue of its tawny banks was so contemptuous of their gentlemanly water-colors, as contemptuous as those cigarette-girls that came chattering from the tobacco-factory every noon. Michael preferred to wander over the roofs of the cathedral, until drowsed by the scent of warm stone he would sit for an hour merely conscious that the city lay below and that the sky was blue above. After Seville they traveled to Granada, to Cadiz and Cordova and other famous cities; and in the train they went slowly through La Mancha where any windmill might indeed be mistaken for Pentapolin of the Naked Arm, and where at the stations the water-carriers even in January cried “agua, agua,” so that already the railway-carriages seemed parched by the fierce summer sun. They traveled to Salamanca and Toledo, and last of all they went to Burgos where Maurice and Wedderburn strove in vain to draw corner after corner of the cathedral, in the dust and shadows of whose more remote chantries Michael heard many Masses. A realization of the power of faith was stirred in him by these Masses that every day of every year were said without the recognition of humanity. These mumblings of ancient priests, these sanctus-bells that rattled like shaken ribs, these interminable and ceremonious shufflings were the outward expression of the force that sustained this fabric of Burgos and had raised in Seville a cathedral that seemed to crush like a stupendous monster the houses scattered about in its path, insignificant as a heap of white shells. Half of these old priests, thought Michael, were probably puppets who did not understand even their own cracked Latinity, yet their ministrations were almost frightening in their efficacy: they were indeed the very stones of Burgos made vocal.