Sinn Fein: An IlluminationO'Hegarty, P. S. (Patrick Sarsfield)
History
Sinn Fein: An Illumination
O'Hegarty, P. S. (Patrick Sarsfield)
Griffith, Arthur, 1872-1922; Sinn Fein
He believes intensely in himself, and he has no real faith in anybody
else, so that he is always more or less cold towards anybody who tries to
do any political work on his own, in or about his own particular sphere.
And this unfortunate tendency in him has been strengthened by the fact
that his immediate friends and co-workers in Dublin are all far below his
level in intellect and outlook, follow him blindly, and are equally
suspicious of any other attempt to do similar work. He has never had any
hero-worship for anybody save William Rooney, and for him he, as well as
all Rooney's co-workers, had the affection and the awe which the Young
Irelanders had for Davis. Since the death of Rooney he has been alone
intellectually, and while that has doubtless strengthened him, it has also
strengthened the difficulty of working with him amicably without being a
mere echo. When he got married, everybody gasped, but whatever he may be
as a family man, in public life he has continued to be just the same
aloof, impenetrable sphinx as before.
It is a pity that circumstances have put him in the way of making
propagandist speeches extensively, for it is not his work. He is an
effective speaker. He will stand on a platform and, coolly and without the
least trace of passion or emotion, will be more effective in the pungent
deadliness of half-a-dozen sentences, without word painting or
ornamentation of any kind, than the most flambuoyant orator. But his
weapon is the pen, and one article in his best style is worth more than a
dozen of his platform speeches. As leader-writer he is unequalled, and as
a writer of obituary notices he is unsurpassable.
Once he has made up his mind on anything he never changes. In controversy
he is like a bull-dog; he is always the last to let go, and by that time
there isn't much left of the other man's case. As a controversialist he is
able and totally unscrupulous, but he is nearly always right.
Until the recent strenuous period set in, his paper was like a huge magnet
which attracted to itself from the length and breadth of Ireland all the
poets and budding litterateurs. Its contributors have included W. B. Yeats
and AE and John Eglinton; Seumas O'Sullivan and Padraic Colum; Thomas Boyd
and Alice Milligan and Ethna Carbery; finally James Stephens. But in his
heart he believes that
"The poets all are foolish
And some of them are wild,"
and eventually there comes an estrangement, if not a quarrel. He has held
the minor poets, but the major poets, after doing their best work in his
company, have escaped.
In addition to the poets, the paper attracts to itself first-hand
information about all political moves in Ireland and suggested moves. Upon
these things his information is usually premature, startling, and
eventually extraordinarily accurate. He has his finger on all the strings
that control Irish political happenings, and seems to know secret
political history almost as well as those who make it.
Public-domain text, read in full here on John Shaqi.
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