As he sat there, baffled and sombre, biting his pen and wondering what
was meant by the “rewards” of literature, he generally ended by tossing
away the composition deflowered by Mr. Locket and trying his hand at the
sort of twaddle that Mrs. Ryves might be able to set to music. Success
in these experiments wouldn’t be a reward of literature, but it might
very well become a labour of love. The experiments would be pleasant
enough for him if they were pleasant for his inscrutable neighbour. That
was the way he thought of her now, for he had learned enough about her,
little by little, to guess how much there was still to learn. To spend
his mornings over cheap rhymes for her was certainly to shirk the
immediate question; but there were hours when he judged this question to
be altogether too arduous, reflecting that he might quite as well perish
by the sword as by famine. Besides, he did meet it obliquely when he
considered that he shouldn’t be an utter failure if he were to produce
some songs to which Mrs. Ryves’s accompaniments would give a circulation.
He had not ventured to show her anything yet, but one morning, at a
moment when her little boy was in his room, it seemed to him that, by an
inspiration, he had arrived at the happy middle course (it was an art by
itself), between sound and sense. If the sense was not confused it was
because the sound was so familiar.
He had said to the child, to whom he had sacrificed barley-sugar (it had
no attraction for his own lips, yet in these days there was always some
of it about), he had confided to the small Sidney that if he would wait a
little he should be intrusted with something nice to take down to his
parent. Sidney had absorbing occupation and, while Peter copied off the
song in a pretty hand, roamed, gurgling and sticky, about the room. In
this manner he lurched like a little toper into the rear of the
davenport, which stood a few steps out from the recess of the window,
and, as he was fond of beating time to his intensest joys, began to bang
on the surface of it with a paper-knife which at that spot had chanced to
fall upon the floor. At the moment Sidney committed this violence his
kind friend had happened to raise the lid of the desk and, with his head
beneath it, was rummaging among a mass of papers for a proper envelope.
“I say, I say, my boy!” he exclaimed, solicitous for the ancient glaze of
his most cherished possession. Sidney paused an instant; then, while
Peter still hunted for the envelope, he administered another, and this
time a distinctly disobedient, rap. Peter heard it from within and was
struck with its oddity of sound—so much so that, leaving the child for a
moment under a demoralising impression of impunity, he waited with quick
curiosity for a repetition of the stroke. It came of course immediately,
and then the young man, who had at the same instant found his envelope
and ejaculated “Hallo, this thing has a false back!” jumped up and
Public-domain text, read in full here on John Shaqi.
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