That evening, by the last delivery, he received, under the Dover
postmark, a letter that was not from Miss Teagle. It was a slightly
confused but altogether friendly note, written that morning after
breakfast, the ostensible purpose of which was to thank him for the
amiability of his visit, to express regret at any appearance the writer
might have had of meddling with what didn’t concern her, and to let him
know that the evening before, after he had left her, she had in a moment
of inspiration got hold of the tail of a really musical idea—a perfect
accompaniment for the song he had so kindly given her. She had scrawled,
as a specimen, a few bars at the end of her note, mystic, mocking musical
signs which had no sense for her correspondent. The whole letter
testified to a restless but rather pointless desire to remain in
communication with him. In answering her, however, which he did that
night before going to bed, it was on this bright possibility of their
collaboration, its advantages for the future of each of them, that Baron
principally expatiated. He spoke of this future with an eloquence of
which he would have defended the sincerity, and drew of it a picture
extravagantly rich. The next morning, as he was about to settle himself
to tasks for some time terribly neglected, with a sense that after all it
was rather a relief not to be sitting so close to Sir Dominick Ferrand,
who had become dreadfully distracting; at the very moment at which he
habitually addressed his preliminary invocation to the muse, he was
agitated by the arrival of a telegram which proved to be an urgent
request from Mr. Locket that he would immediately come down and see him.
This represented, for poor Baron, whose funds were very low, another
morning sacrificed, but somehow it didn’t even occur to him that he might
impose his own time upon the editor of the Promiscuous, the keeper of the
keys of renown. He had some of the plasticity of the raw contributor.
He gave the muse another holiday, feeling she was really ashamed to take
it, and in course of time found himself in Mr. Locket’s own chair at Mr.
Locket’s own table—so much nobler an expanse than the slippery slope of
the davenport—considering with quick intensity, in the white flash of
certain words just brought out by his host, the quantity of happiness, of
emancipation that might reside in a hundred pounds.
Public-domain text, read in full here on John Shaqi.
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