Yes, that was what it meant: Mr. Locket, in the twenty-four hours, had
discovered so much in Sir Dominick’s literary remains that his visitor
found him primed with an offer. A hundred pounds would be paid him that
day, that minute, and no questions would be either asked or answered. “I
take all the risks, I take all the risks,” the editor of the Promiscuous
repeated. The letters were out on the table, Mr. Locket was on the
hearthrug, like an orator on a platform, and Peter, under the influence
of his sudden ultimatum, had dropped, rather weakly, into the seat which
happened to be nearest and which, as he became conscious it moved on a
pivot, he whirled round so as to enable himself to look at his tempter
with an eye intended to be cold. What surprised him most was to find Mr.
Locket taking exactly the line about the expediency of publication which
he would have expected Mr. Locket not to take. “Hush it all up; a barren
scandal, an offence that can’t be remedied, is the thing in the world
that least justifies an airing—” some such line as that was the line he
would have thought natural to a man whose life was spent in weighing
questions of propriety and who had only the other day objected, in the
light of this virtue, to a work of the most disinterested art. But the
author of that incorruptible masterpiece had put his finger on the place
in saying to his interlocutor on the occasion of his last visit that, if
given to the world in the pages of the Promiscuous, Sir Dominick’s
aberrations would sell the edition. It was not necessary for Mr. Locket
to reiterate to his young friend his phrase about their making a
sensation. If he wished to purchase the “rights,” as theatrical people
said, it was not to protect a celebrated name or to lock them up in a
cupboard. That formula of Baron’s covered all the ground, and one
edition was a low estimate of the probable performance of the magazine.
Public-domain text, read in full here on John Shaqi.
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