Essex goes off to sulk at Wanstead; but Vere excuses him, and in a few days he comes back, and will needs fight good Lord Howard for being made Earl of Nottingham for his services against the Armada and at Cadiz. Baulked of this, he begins laying the blame of the failure at the Azores on Raleigh. Let the spoilt naughty boy take care; even that ‘admirable temper’ for which Raleigh is famed may be worn out at last. These years are Raleigh’s noon—stormy enough at best, yet brilliant. There is a pomp about him, outward and inward, which is terrible to others, dangerous to himself. One has gorgeous glimpses of that grand Durham House of his, with its carvings and its antique marbles, armorial escutcheons, ‘beds with green silk hangings and legs like dolphins, overlaid with gold’: and the man himself, tall, beautiful, and graceful, perfect alike in body and in mind, walking to and fro, his beautiful wife upon his arm, his noble boy beside his knee, in his ‘white satin doublet, embroidered with pearls, and a great chain of pearls about his neck,’ lording it among the lords with an ‘awfulness and ascendency above other mortals,’ for which men say that ‘his næve is, that he is damnable proud’; and no wonder. The reduced squire’s younger son has gone forth to conquer the world; and he fancies, poor fool, that he has conquered it, just as it really has conquered him; and he will stand now on his blood and his pedigree (no bad one either), and all the more stiffly because puppies like Lord Oxford, who instead of making their fortunes have squandered them, call him ‘jack and upstart,’ and make impertinent faces while the Queen is playing the virginals, about ‘how when jacks go up, heads go down.’ Proud? No wonder if the man be proud! ‘Is not this great Babylon, which I have built?’ And yet all the while he has the most affecting consciousness that all this is not God’s will, but the will of the flesh; that the house of fame is not the house of God; that its floor is not the rock of ages, but the sea of glass mingled with fire, which may crack beneath him any moment, and let the nether flame burst up. He knows that he is living in a splendid lie; that he is not what God meant him to be. He longs to flee away and be at peace. It is to this period, not to his death-hour, that ‘The Lie’ belongs; {155} saddest of poems, with its melodious contempt and life-weariness. All is a lie—court, church, statesmen, courtiers, wit and science, town and country, all are shams; the days are evil; the canker is at the root of all things; the old heroes are dying one by one; the Elizabethan age is rotting down, as all human things do, and nothing is left but to bewail with Spenser ‘The Ruins of Time’; the glory and virtue which have been—the greater glory and virtue which might be even now, if men would but arise and repent, and work righteousness, as their fathers did before them. But no. Even to such a world as this he will cling, and flaunt it