Siwa : $b the oasis of Jupiter AmmonBelgrave, Charles Dalrymple, Sir
History
Siwa : $b the oasis of Jupiter Ammon
Belgrave, Charles Dalrymple, Sir
Siwah Oasis (Egypt)
In Siwa a man marries, then divorces his wife as soon as he gets bored
by her, and marries another. One man probably repudiates several dozen
women in his lifetime, but each of them in her turn is his regular,
official and recognized wife. Polygamy is rare, in fact almost unknown,
because when a man fancies a new wife he divorces his present one;
owing to this there is very little promiscuous immorality, but the
line between marriage and prostitution is very slender. A divorced
woman does not lose caste, and in most cases she appears to have a
better chance of marrying again than an unmarried girl. Men marry at
sixteen, and girls from nine to twelve years old, so a girl of eleven
has often been married and divorced several times. This state of
things is simply the ordinary Mohammedan custom as regards marriage,
but carried on in an absolutely lax manner. It has always been the
same in Siwa, and so it is considered right and proper. It must be
so confusing for the people to remember who is So-and-So’s wife
for the time being. Naturally the prevailing conditions have a very
disastrous effect on the birth-rate.
A first-time marriage in the family of a sheikh or a rich notable is
celebrated by festivities which last sometimes for several days. On
the eve of the wedding, towards sunset time, the bride dresses in
her richest clothes and accompanied by twenty or thirty girls walks
through the gardens to a spring near the town called Tamousy. This
spring is one of the oldest and most beautiful in Siwa. It is
surrounded by stately palm trees and tropical vegetation; it is deep
and very clear and the ancient masonry round it is still in excellent
preservation. As the young bride and her attendants walk through the
palm groves they chant a curious tune, a plaintive melody that sounds
more like a dirge than a wedding song.
“As from an infinitely distant land
Come airs, and floating echoes, that convey
A melancholy into all our day.”
The scene at the spring is very picturesque; the girls and women
stand grouped round the water, their dark robes and silver ornaments
reflected in its blue depths. Very solemnly the bride removes the large
round, silver disc that hangs on a solid silver ring from her neck,
which denotes that she is a virgin; she then bathes, puts on different
clothes and has her hair plaited and scented by one of her friends. The
procession then returns homewards. On the way they are met by another
party of women, the relations of the bridegroom, who bring presents of
money for the bride, each according to her means. An old woman collects
the coins in a silk scarf, carefully noting the amount given by each
individual, and the two parties return together, singing, through
the palm-bordered paths to the town. These “virginity discs”
are sometimes of great age, having been handed down from mother to
daughter as heirlooms. Formerly they were always made of solid silver,
but now they are often made of lead with a silver coating.
Public-domain text, read in full here on John Shaqi.
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