First-class cars are exactly like those in the States, and the
second-class look just like the "Black Maria," except the wheels. Cars,
just like open freight or truck cars on railroads, are used for hauling
instead of wagons, and a dozen of these, loaded with merchandize, are
drawn by one team. Movings and everything are hauled in this manner;
the price charged is comparatively small. Cars do not run singly, but
in groups of four and five. Even on the first-class cars men smoke as
much as they wish, and if the women find it unbearable they go out and
stand on the platform; there are two conductors on each car; one sells
the tickets, the other collects them.
When the line was first opened an enterprising stockholder bought up
all the hearses in the city and had funeral cars made. The coffin is
laid on one draped car; white for young and black for old, and the
mourners and friends follow in street cars hired for the purpose. A
stylish funeral will have a dozen or more cars, the windows of which
are hung with white crepe, and the doors with black; the drivers and
conductors appear in black suits and high, silk hats; the horses are
draped, and have black and white plumes on their heads. The cost of
funerals ranges from $20 to $1500. A stylish one is a beautiful sight;
the poor, by making application to the police, are given the funeral
car and passage for two persons free; the low and poverty-stricken
class also hire the coffins, and when they reach the cemetery the
corpse is taken out, wrapped in a serape and consigned to a hired
grave--that is, they buy the grave for five years, at the end of which
time the bones are lifted and thrown in some corner, exposed to the
gaze of the public, in order to make room for new-comers, and the
tombstones--then useless--are laid in one heap by the gate. The people
are no respecters of human bones; Americans always want to go back to
the States to die.
Street car drivers, of which there are two on each car, are compelled
by law to blow a horn at every crossing to warn pedestrians of their
coming; the horns are similar, in tone and shape, to those used by
fish peddlers in the States. Drivers of every kind of vehicles use the
long lash whip of plaited leather exclusively, and they ply them quite
vigorously on their animals; they also urge them to faster speed by a
sound similar to that which the villain on the stage makes as he creeps
upon intended victims when asleep, with his finger on his lips. It
sounds like a whip lash cutting through the air.
The carts in use here are of the most ancient shape and style; two
large, wooden wheels support a big square box. One mule is hitched next
to the wagon, and three abreast in front of that, and one still ahead;
the harness baffles description. Drivers very seldom ride, but trot
along beside their team with rope lines in their hands; they can trot
at the speed of the mules with apparent comfort.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account