Sketches and Studies in Italy and Greece, Second Series — John Shaqi
Sketches and Studies in Italy and Greece, Second SeriesSymonds, John Addington
History
Sketches and Studies in Italy and Greece, Second Series
Symonds, John Addington
Greece -- Description and travel; Italy -- Description and travel
Nor is Dante the only singer who has invested this wood with poetical
associations. It is well known that Boccaccio laid his story of
'Honoria' in the pine-forest, and every student of English literature
must be familiar with the noble tale in verse which Dryden has founded
on this part of the 'Decameron.' We all of us have followed Theodore,
and watched with him the tempest swelling in the grove, and seen the
hapless ghost pursued by demon hounds and hunter down the glades. This
story should be read while storms are gathering upon the distant sea,
or thunderclouds descending from the Apennines, and when the pines
begin to rock and surge beneath the stress of labouring winds. Then
runs the sudden flash of lightning like a rapier through the boughs,
the rain streams hissing down, and the thunder 'breaks like a whole
sea overhead.'
With the Pinetum the name of Byron will be for ever associated. During
his two years' residence in Ravenna he used to haunt its wilderness,
riding alone or in the company of friends. The inscription placed
above the entrance to the house he occupied alludes to it as one of
the objects which principally attracted the poet to the neighbourhood
of Ravenna: 'Impaziente di visitare l' antica selva, che inspirò già
il Divino e Giovanni Boccaccio.' We know, however, that a more
powerful attraction, in the person of the Countess Guiccioli,
maintained his fidelity to 'that place of old renown, once in the
Adrian Sea, Ravenna.'
Between the Bosco, as the people of Ravenna call this pine-wood, and
the city, the marsh stretches for a distance of about three miles. It
is a plain intersected by dykes and ditches, and mapped out into
innumerable rice-fields. For more than half a year it lies under
water, and during the other months exhales a pestilential vapour,
which renders it as uninhabitable as the Roman Campagna; yet in
springtime this dreary flat is even beautiful. The young blades of the
rice shoot up above the water, delicately green and tender. The
ditches are lined with flowering rush and golden flags, while white
and yellow lilies sleep in myriads upon the silent pools. Tamarisks
wave their pink and silver tresses by the road, and wherever a plot of
mossy earth emerges from the marsh, it gleams with purple orchises and
flaming marigolds; but the soil beneath is so treacherous and spongy,
that these splendid blossoms grow like flowers in dreams or fairy
stories. You try in vain to pick them; they elude your grasp, and
flourish in security beyond the reach of arm or stick.
Public-domain text, read in full here on John Shaqi.
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