Sketches and Studies in Italy and Greece, Second SeriesSymonds, John Addington
History
Sketches and Studies in Italy and Greece, Second Series
Symonds, John Addington
Greece -- Description and travel; Italy -- Description and travel
Such is the sight of the old town of Classis. Not a vestige of the
Roman city remains, not a dwelling or a ruined tower, nothing but the
ancient church of S. Apollinare in Classe. Of all desolate buildings
this is the most desolate. Not even the deserted grandeur of S. Paolo
beyond the walls of Rome can equal it. Its bare round campanile gazes
at the sky, which here vaults only sea and plain--a perfect dome,
star-spangled like the roof of Galla Placidia's tomb. Ravenna lies low
to west, the pine-wood stretches away in long monotony to east. There
is nothing else to be seen except the spreading marsh, bounded by dim
snowy Alps and purple Apennines, so very far away that the level rack
of summer clouds seem more attainable and real. What sunsets and
sunrises that tower must see; what glaring lurid afterglows in August,
when the red light scowls upon the pestilential fen; what sheets of
sullen vapour rolling over it in autumn; what breathless heats, and
rainclouds big with thunder; what silences; what unimpeded blasts of
winter winds! One old monk tends this deserted spot. He has the huge
church, with its echoing aisles and marble columns and giddy
bell-tower and cloistered corridors, all to himself. At rare
intervals, priests from Ravenna come to sing some special mass at
these cold altars; pious folk make vows to pray upon their mouldy
steps and kiss the relics which are shown on great occasions. But no
one stays; they hurry, after muttering their prayers, from the
fever-stricken spot, reserving their domestic pieties and customary
devotions for the brighter and newer chapels of the fashionable
churches in Ravenna. So the old monk is left alone to sweep the marsh
water from his church floor, and to keep the green moss from growing
too thickly on its monuments. A clammy conferva covers everything
except the mosaics upon tribune, roof, and clerestory, which defy the
course of age. Christ on His throne _sedet aternumque sedebit_: the
saints around him glitter with their pitiless uncompromising eyes and
wooden gestures, as if twelve centuries had not passed over them, and
they were nightmares only dreamed last night, and rooted in a sick
man's memory. For those gaunt and solemn forms there is no change of
life or end of days. No fever touches them; no dampness of the wind
and rain loosens their firm cement. They stare with senseless faces in
bitter mockery of men who live and die and moulder away beneath. Their
poor old guardian told us it was a weary life. He has had the fever
three times, and does not hope to survive many more Septembers. The
very water that he drinks is brought him from Ravenna; for the vast
fen, though it pours its overflow upon the church floor, and spreads
like a lake around, is death to drink. The monk had a gentle woman's
voice and mild brown eyes. What terrible crime had consigned him to
this living tomb? For what past sorrow is he weary of his life? What
anguish of remorse has driven him to such a solitude? Yet he looked
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account