Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
General
Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
At the present moment, this elegantly-attired individual is in the act
of entering the duplicate he has just made out, in a thick book: a
process from which he is diverted occasionally, by a conversation he is
carrying on with another young man similarly employed at a little
distance from him, whose allusions to ‘that last bottle of soda-water
last night,’ and ‘how regularly round my hat he felt himself when the
young ’ooman gave ’em in charge,’ would appear to refer to the
consequences of some stolen joviality of the preceding evening. The
customers generally, however, seem unable to participate in the
amusement derivable from this source, for an old sallow-looking woman,
who has been leaning with both arms on the counter with a small bundle
before her, for half an hour previously, suddenly interrupts the
conversation by addressing the jewelled shopman—‘Now, Mr. Henry, do
make haste, there’s a good soul, for my two grandchildren’s locked up
at home, and I’m afeer’d of the fire.’ The shopman slightly raises his
head, with an air of deep abstraction, and resumes his entry with as
much deliberation as if he were engraving. ‘You’re in a hurry, Mrs.
Tatham, this ev’nin’, an’t you?’ is the only notice he deigns to take,
after the lapse of five minutes or so. ‘Yes, I am indeed, Mr. Henry;
now, do serve me next, there’s a good creetur. I wouldn’t worry you,
only it’s all along o’ them botherin’ children.’ ‘What have you got
here?’ inquires the shopman, unpinning the bundle—‘old concern, I
suppose—pair o’ stays and a petticut. You must look up somethin’ else,
old ’ooman; I can’t lend you anything more upon them; they’re
completely worn out by this time, if it’s only by putting in, and
taking out again, three times a week.’ ‘Oh! you’re a rum un, you are,’
replies the old woman, laughing extremely, as in duty bound; ‘I wish
I’d got the gift of the gab like you; see if I’d be up the spout so
often then! No, no; it an’t the petticut; it’s a child’s frock and a
beautiful silk ankecher, as belongs to my husband. He gave four
shillin’ for it, the werry same blessed day as he broke his arm.’—‘What
do you want upon these?’ inquires Mr. Henry, slightly glancing at the
articles, which in all probability are old acquaintances. ‘What do you
want upon these?’—‘Eighteenpence.’—‘Lend you ninepence.’—‘Oh, make it a
shillin’; there’s a dear—do now?’—‘Not another farden.’—‘Well, I
suppose I must take it.’ The duplicate is made out, one ticket pinned
on the parcel, the other given to the old woman; the parcel is flung
carelessly down into a corner, and some other customer prefers his
claim to be served without further delay.
Public-domain text, read in full here on John Shaqi.
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