Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
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Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
The choice falls on an unshaven, dirty, sottish-looking fellow, whose
tarnished paper-cap, stuck negligently over one eye, communicates an
additionally repulsive expression to his very uninviting countenance.
He was enjoying a little relaxation from his sedentary pursuits a
quarter of an hour ago, in kicking his wife up the court. He has come
to redeem some tools:—probably to complete a job with, on account of
which he has already received some money, if his inflamed countenance
and drunken staggers may be taken as evidence of the fact. Having
waited some little time, he makes his presence known by venting his
ill-humour on a ragged urchin, who, being unable to bring his face on a
level with the counter by any other process, has employed himself in
climbing up, and then hooking himself on with his elbows—an uneasy
perch, from which he has fallen at intervals, generally alighting on
the toes of the person in his immediate vicinity. In the present case,
the unfortunate little wretch has received a cuff which sends him
reeling to this door; and the donor of the blow is immediately the
object of general indignation.
‘What do you strike the boy for, you brute?’ exclaims a slipshod woman,
with two flat irons in a little basket. ‘Do you think he’s your wife,
you willin?’ ‘Go and hang yourself!’ replies the gentleman addressed,
with a drunken look of savage stupidity, aiming at the same time a blow
at the woman which fortunately misses its object. ‘Go and hang
yourself; and wait till I come and cut you down.’—‘Cut you down,’
rejoins the woman, ‘I wish I had the cutting of you up, you wagabond!
(loud.) Oh! you precious wagabond! (rather louder.) Where’s your wife,
you willin? (louder still; women of this class are always sympathetic,
and work themselves into a tremendous passion on the shortest notice.)
Your poor dear wife as you uses worser nor a dog—strike a woman—you a
man! (very shrill;) I wish I had you—I’d murder you, I would, if I died
for it!’—‘Now be civil,’ retorts the man fiercely. ‘Be civil, you
wiper!’ ejaculates the woman contemptuously. ‘An’t it shocking?’ she
continues, turning round, and appealing to an old woman who is peeping
out of one of the little closets we have before described, and who has
not the slightest objection to join in the attack, possessing, as she
does, the comfortable conviction that she is bolted in. ‘Ain’t it
shocking, ma’am? (Dreadful! says the old woman in a parenthesis, not
exactly knowing what the question refers to.) He’s got a wife, ma’am,
as takes in mangling, and is as ’dustrious and hard-working a young
’ooman as can be, (very fast) as lives in the back parlour of our ’ous,
which my husband and me lives in the front one (with great
rapidity)—and we hears him a beaten’ on her sometimes when he comes
home drunk, the whole night through, and not only a beaten’ her, but
beaten’ his own child too, to make her more miserable—ugh, you beast!
and she, poor creater, won’t swear the peace agin him, nor do nothin’,
Public-domain text, read in full here on John Shaqi.
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