Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
General
Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
When the scenes in the circle commenced, the children were more
delighted than ever; and the wish to see what was going forward,
completely conquering pa’s dignity, he stood up in the box, and
applauded as loudly as any of them. Between each feat of horsemanship,
the governess leant across to ma, and retailed the clever remarks of
the children on that which had preceded: and ma, in the openness of her
heart, offered the governess an acidulated drop, and the governess,
gratified to be taken notice of, retired behind her pillar again with a
brighter countenance: and the whole party seemed quite happy, except
the exquisite in the back of the box, who, being too grand to take any
interest in the children, and too insignificant to be taken notice of
by anybody else, occupied himself, from time to time, in rubbing the
place where the whiskers ought to be, and was completely alone in his
glory.
We defy any one who has been to Astley’s two or three times, and is
consequently capable of appreciating the perseverance with which
precisely the same jokes are repeated night after night, and season
after season, not to be amused with one part of the performances at
least—we mean the scenes in the circle. For ourself, we know that when
the hoop, composed of jets of gas, is let down, the curtain drawn up
for the convenience of the half-price on their ejectment from the ring,
the orange-peel cleared away, and the sawdust shaken, with mathematical
precision, into a complete circle, we feel as much enlivened as the
youngest child present; and actually join in the laugh which follows
the clown’s shrill shout of ‘Here we are!’ just for old acquaintance’
sake. Nor can we quite divest ourself of our old feeling of reverence
for the riding-master, who follows the clown with a long whip in his
hand, and bows to the audience with graceful dignity. He is none of
your second-rate riding-masters in nankeen dressing-gowns, with brown
frogs, but the regular gentleman-attendant on the principal riders, who
always wears a military uniform with a table-cloth inside the breast of
the coat, in which costume he forcibly reminds one of a fowl trussed
for roasting. He is—but why should we attempt to describe that of which
no description can convey an adequate idea? Everybody knows the man,
and everybody remembers his polished boots, his graceful demeanour,
stiff, as some misjudging persons have in their jealousy considered it,
and the splendid head of black hair, parted high on the forehead, to
impart to the countenance an appearance of deep thought and poetic
melancholy. His soft and pleasing voice, too, is in perfect unison with
his noble bearing, as he humours the clown by indulging in a little
badinage; and the striking recollection of his own dignity, with which
he exclaims, ‘Now, sir, if you please, inquire for Miss Woolford, sir,’
can never be forgotten. The graceful air, too, with which he introduces
Miss Woolford into the arena, and, after assisting her to the saddle,
Public-domain text, read in full here on John Shaqi.
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