Sketches in Lavender, Blue and GreenJerome, Jerome K. (Jerome Klapka)
General
Sketches in Lavender, Blue and Green
Jerome, Jerome K. (Jerome Klapka)
Manners and customs -- Fiction; Short stories, English
I had his last letter in my pocket. I sat down and worked out the
question of date. She would arrive in Calcutta the day before he left.
Whether it was chance or intention on her part I never knew; as likely as
not the former, for there is a fatalism in this world shaping our ends.
I heard no more from him, I hardly expected to do so, but three months
later a mutual acquaintance stopped me on the Club steps.
"Have you heard the news," he said, "about young Harjohn?"
"No," I replied. "Is he married?"
"Married," he answered, "No, poor devil, he's dead!"
"Thank God," was on my lips, but fortunately I checked myself. "How did
it happen?" I asked.
"At a shooting party, up at some Rajah's place. Must have caught his gun
in some brambles, I suppose. The bullet went clean through his head."
"Dear me," I said, "how very sad!" I could think of nothing else to say
at the moment.
THE MATERIALISATION OF CHARLES AND MIVANWAY
The fault that most people will find with this story is that it is
unconvincing. Its scheme is improbable, its atmosphere artificial. To
confess that the thing really happened--not as I am about to set it down,
for the pen of the professional writer cannot but adorn and embroider,
even to the detriment of his material--is, I am well aware, only an
aggravation of my offence, for the facts of life are the impossibilities
of fiction. A truer artist would have left this story alone, or at most
have kept it for the irritation of his private circle. My lower instinct
is to make use of it. A very old man told me the tale. He was landlord
of the Cromlech Arms, the only inn of a small, rock-sheltered village on
the north-east coast of Cornwall, and had been so for nine and forty
years. It is called the Cromlech Hotel now, and is under new management,
and during the season some four coach-loads of tourists sit down each day
to _table d'hote_ lunch in the low-ceilinged parlour. But I am speaking
of years ago, when the place was a mere fishing harbour, undiscovered by
the guide books.
The old landlord talked, and I hearkened the while we both sat drinking
thin ale from earthenware mugs, late one summer's evening, on the bench
that runs along the wall just beneath the latticed windows. And during
the many pauses, when the old landlord stopped to puff his pipe in
silence, and lay in a new stock of breath, there came to us the murmuring
voices of the Atlantic; and often, mingled with the pompous roar of the
big breakers farther out, we would hear the rippling laugh of some small
wave that, maybe, had crept in to listen to the tale the landlord told.
Public-domain text, read in full here on John Shaqi.
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