Sketches of imposture, deception, and credulityDavenport, R. A. (Richard Alfred)
History
Sketches of imposture, deception, and credulity
Davenport, R. A. (Richard Alfred)
Common fallacies; Impostors and imposture
Dr. Douglas, to whom the world is indebted for investigating and
detecting Lauder’s baseness, vindicated Milton from the injustice of
the charge, in an answer full of diligent research of those authors who
were said to have furnished Milton with materials for his poem.
Dr. Douglas commences by saying, “Our Zoilus charges Milton with having
borrowed both the plan of his poem, and also particular passages, from
other authors. Should these charges even prove true, will it follow
that his pretensions to genius are disproved? The same charge might be
brought against Virgil; as there is scarcely a passage in his Æneid but
is taken from the Iliad or Odyssey. There is no shadow of truth in the
assertion made by Lauder, that infinite tribute of veneration had been
paid to Milton, through men’s ignorance of his having been indebted
to the assistance of other authors, when, on the contrary, those very
persons who gave him the greatest praise were the principal discoverers
of many of his imitations.
“It did not enter my head,” continues Dr. Douglas, “that our critic
should have the assurance to urge false quotations in support of his
charge; and therefore did I, and, as I imagine, did every other person,
believe, that the authors he quoted really contained those lines which
he attributed to them, and which bear so striking a resemblance to
passages in Paradise Lost, that the reader cannot avoid concluding,
with Lauder, that Milton had really seen and imitated them. Will it
not, therefore, be thought extraordinarily strange, and excite the
utmost indignation in every candid person’s breast, if the reverse of
all this shall appear to be the case; if it can be clearly proved that
our candid conscientious critic, whose notions of morality taught him
to accuse Milton of the want of common probity or honour for having
boasted that he sung things yet unattempted in prose or rhyme, has,
in order to make good his charge against Milton, had recourse to
forgeries, perhaps the grossest that ever were obtruded on the world?”
Public-domain text, read in full here on John Shaqi.
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