Sketches of imposture, deception, and credulityDavenport, R. A. (Richard Alfred)
History
Sketches of imposture, deception, and credulity
Davenport, R. A. (Richard Alfred)
Common fallacies; Impostors and imposture
But we need not visit China to be convinced of the natural tendency of
man to superstition; a story is current of a picture of the immaculate
conception, which was in the late college of Jesuits in Valencia, that
may challenge competition for absurdity. This picture is the object
of general veneration, and by the devout is considered almost equal
to the Virgin herself; for tradition reports, that it was painted of
Father Alberto, to whom the Blessed Virgin condescended to appear on
the eve of the assumption, ordering her portrait in the dress she
then wore; he employed Juanes, who, after many trials succeeding,
the work was sanctified, and the pencil, like a sword, was blessed
and made invincible by the Pope, so that it never missed its stroke.
One day Juanes seated on a scaffold at work on the upper part of the
picture, the painter being in the act of falling, the holy personage,
whose portrait he had finished, stepped suddenly from the canvass, and
seizing his hand, preserved him from the fall, when the gracious lady
returned to her post!
A very ancient fraud connected with architecture is mentioned by
Sandys, in his curious and rare book on the East. One of the Ptolemies
caused a tower to be built of a wonderful height, having many lanterns
for the use of ships at sea during the night. It was reputed the
seventh wonder of the world. Sostratus, of Cnidos, the ambitious
architect, was refused by the king the satisfaction of setting his
name to the work. This, however, the artist effected by cutting an
inscription on a block of marble, which he encrusted over with a
fictitious stone, on which was engraved a pompous inscription in honour
of the king; when it decayed his own name appeared as the builder.
Michael Angelo, to try how far he could impose upon the curious in
sculpture, carved a statue of Cupid. Having broken off the arm, he
buried the rest of the figure under a certain ruin, where they were
wont to dig in search of marbles. It was soon after discovered, and
passed among the learned antiquaries for an invaluable and undoubted
piece of ancient sculpture, till Angelo produced the arm previously
broken off, which fitted so exactly as to convince them of their too
easy credulity, and the vanity of their speculations.
Public-domain text, read in full here on John Shaqi.
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