Sketches of imposture, deception, and credulityDavenport, R. A. (Richard Alfred)
History
Sketches of imposture, deception, and credulity
Davenport, R. A. (Richard Alfred)
Common fallacies; Impostors and imposture
During all this time, John of Leyden displayed a degree of firmness,
vigilance, and prudence in guarding against the enemy, which did credit
to his abilities. Till nearly the end of June 1535, he contrived to
hold the blockading army at bay. But the end of his reign was now
approaching. Two fugitives gave the bishop information of a vulnerable
point; and on the 24th of June a band of picked soldiers effected an
entrance into the city. A desperate struggle ensued, and the king and
his partisans fought with such desperate courage, that the assailants
were on the very verge of defeat, when they contrived to open a gate,
and admit the troops from without the walls. Resistance was speedily
subdued by overwhelming numbers. Rothman was fortunate enough to fall
by the sword; but John of Leyden, Knipperdolling, and another of the
leaders, were taken, and died in the most barbarous torments; their
flesh was torn from their bones by burning pincers, and their mangled
remains were hung up in iron cages.
Passing to the commencement of the eighteenth century, we find a group
of pretended prophets, and miracle-workers, perhaps not less fanatical
than those which have just been described, but certainly less noxious.
They were Protestants, and were known by the appellation of the French
prophets. It was towards the latter end of 1706 that they came to
England, from the mountains of the Cevennes, where their countrymen
had for a considerable time maintained a contest with the troops of
the persecuting Louis XIV. As exiles for conscience sake, they were
treated with respect and kindness; but they soon forfeited all claim to
respect by the folly or knavery of their conduct. Of this group Elias
Marion was the prominent figure; the others acting only subordinate
parts. He loudly proclaimed that he was the messenger of Heaven, and
was authorized to denounce judgments, and to look into futurity. All
kinds of arts were employed by Marion and his associates to excite
public attention--sudden droppings down as though death-struck;
sighs and groans, and then shrieks and vociferations, on recovering;
broken sentences, uttered in unearthly tones; violent contortions;
and desperate strugglings with the Spirit, followed by submission and
repentance; were all brought into the play. The number of the believers
in their power soon became considerable. In proportion as they gained
partisans, they increased their vaunts of miraculous gifts; and at
length they boldly announced that they were invested with power to
raise the dead. They even went so far as to try the experiment; and,
notwithstanding repeated failures, their besotted followers continued
to adhere to them. In vain did the ministers and elders of the French
chapel, in the Savoy, declare their pretensions to be blasphemous and
dangerous. Far from being deterred by this censure, the prophets grew
more strenuous in their exertions to make proselytes, and more daring
Public-domain text, read in full here on John Shaqi.
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