England -- Social life and customs -- 19th century; Young men -- England
We know a poetical young gentleman—a very poetical young gentleman. We
do not mean to say that he is troubled with the gift of poesy in any
remarkable degree, but his countenance is of a plaintive and melancholy
cast, his manner is abstracted and bespeaks affliction of soul: he seldom
has his hair cut, and often talks about being an outcast and wanting a
kindred spirit; from which, as well as from many general observations in
which he is wont to indulge, concerning mysterious impulses, and
yearnings of the heart, and the supremacy of intellect gilding all
earthly things with the glowing magic of immortal verse, it is clear to
all his friends that he has been stricken poetical.
The favourite attitude of the poetical young gentleman is lounging on a
sofa with his eyes fixed upon the ceiling, or sitting bolt upright in a
high-backed chair, staring with very round eyes at the opposite wall.
When he is in one of these positions, his mother, who is a worthy,
affectionate old soul, will give you a nudge to bespeak your attention
without disturbing the abstracted one, and whisper with a shake of the
head, that John’s imagination is at some extraordinary work or other, you
may take her word for it. Hereupon John looks more fiercely intent upon
vacancy than before, and suddenly snatching a pencil from his pocket,
puts down three words, and a cross on the back of a card, sighs deeply,
paces once or twice across the room, inflicts a most unmerciful slap upon
his head, and walks moodily up to his dormitory.
Public-domain text, read in full here on John Shaqi.
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