England -- Social life and customs -- 19th century; Young men -- England
The poetical young gentleman is apt to acquire peculiar notions of things
too, which plain ordinary people, unblessed with a poetical obliquity of
vision, would suppose to be rather distorted. For instance, when the
sickening murder and mangling of a wretched woman was affording delicious
food wherewithal to gorge the insatiable curiosity of the public, our
friend the poetical young gentleman was in ecstasies—not of disgust, but
admiration. ‘Heavens!’ cried the poetical young gentleman, ‘how grand;
how great!’ We ventured deferentially to inquire upon whom these
epithets were bestowed: our humble thoughts oscillating between the
police officer who found the criminal, and the lock-keeper who found the
head. ‘Upon whom!’ exclaimed the poetical young gentleman in a frenzy of
poetry, ‘Upon whom should they be bestowed but upon the murderer!’—and
thereupon it came out, in a fine torrent of eloquence, that the murderer
was a great spirit, a bold creature full of daring and nerve, a man of
dauntless heart and determined courage, and withal a great casuist and
able reasoner, as was fully demonstrated in his philosophical colloquies
with the great and noble of the land. We held our peace, and meekly
signified our indisposition to controvert these opinions—firstly, because
we were no match at quotation for the poetical young gentleman; and
secondly, because we felt it would be of little use our entering into any
disputation, if we were: being perfectly convinced that the respectable
and immoral hero in question is not the first and will not be the last
hanged gentleman upon whom false sympathy or diseased curiosity will be
plentifully expended.
This was a stern mystic flight of the poetical young gentleman. In his
milder and softer moments he occasionally lays down his neckcloth, and
pens stanzas, which sometimes find their way into a Lady’s Magazine, or
the ‘Poets’ Corner’ of some country newspaper; or which, in default of
either vent for his genius, adorn the rainbow leaves of a lady’s album.
These are generally written upon some such occasions as contemplating the
Bank of England by midnight, or beholding Saint Paul’s in a snow-storm;
and when these gloomy objects fail to afford him inspiration, he pours
forth his soul in a touching address to a violet, or a plaintive lament
that he is no longer a child, but has gradually grown up.
[Picture: The Poetical Young Gentleman]
Public-domain text, read in full here on John Shaqi.
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